A marvelous history of Mary of Nimmegen: Who for more than seven year lived and had ado with the devil
History
A marvelous history of Mary of Nimmegen: Who for more than seven year lived and had ado with the devil
Dutch literature -- To 1500 -- Translations into English; Mystery and miracle plays
_Although extraneous to the play as it was acted, the prose is not
altogether a negligible accretion. For its writer evidently drew on his
recollections of the play as he had seen it staged for his description
of some of the incidents. The quarrel between the aunt and her gossips,
enacted by their shouting and cursing and pulling of each other’s hair;
the row stirred up by Moonen among the crowd that listened to Mary’s
recital of a “goodly ballat”, one among the folk being stabbed to death,
whereupon “he who did this had his head smote off”; the manslaughter
committed by one of Mary’s potmates at the Golden Tree; the uncle
locking the rings round Mary’s neck and hands; these are apparently
bits of pantomime as essentially part of the play as is the written
context. And because of its value as the only testimony we possess of an
eye-witness of the drama’s production on the mediaeval stage, the prose
has been retained by the present translator, his book being a faithful
reproduction in English of the earliest version of the play as printed by
Willem Vorsterman._
_Of the author of our little drama nothing is known. He was, doubtless,
not a native of the good town of Nimmegen. For it appears from verse
652 that he imagined Mary’s uncle to live at Venlo, and a citizen of
Nimmegen would have known that the distance between these two places was
not a three hours’ walk but four times as long. The poet was evidently
more familiar with the city of Antwerp, and his picture of the drinking
scene in the tavern of the Golden Tree is vivid enough to be a first-hand
impression. He was a poet of no mean talent, and not unconscious, it
seems, of his own excellence in the noble art of rhetoric. The pride of
the poets of the Renaissance is forestalled in his praise of poesy, of
which he made Mary his mouthpiece_:
“_Rhetoric is not to be learned by skill._
_’Tis an art that cometh of itself solely._
_The other arts, if a man giveth himself thereto wholly,_
_These be to be learned and eke taught._
_But rhetoric is to be praised beyond aught._
_’Tis a gift of the Holy Ghost’s bestowing._”
Public-domain text, read in full here on John Shaqi.
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