A message from Mars : $b A fantastic comedy in three acts — John Shaqi
A message from Mars : $b A fantastic comedy in three actsGanthony, Richard
Science
A message from Mars : $b A fantastic comedy in three acts
Ganthony, Richard
Dreams -- Drama; England -- Social life and customs -- 19th century -- Drama; Man-woman relationships -- Drama; Selfishness -- Drama
MESSENGER. You do not understand? It is characteristic of your race
that while all that is vile and ignoble is well expressed by your word
“Selfishness,” your language does not supply its opposite. In Mars we
have a word which means the abandonment of self and the striving for
others. It is the great essential virtue, _Otherdom_.
HORACE. Thank you. I will bear it in mind.
MESSENGER. On your life show it in your acts.
HORACE. Oh, I will. May I go home now; it’s very chilly.
MESSENGER. Poor thing of Temperature! Your scientists still leave
you slaves of the weather. What braggarts are you to dream as yet
of civilization! When you can weave water into clothing, spin fire
into ribbons, and wear them in the altitudes, you shall speak of some
advancement. Your mills of Fashion sigh and hum, but not one of you can
outdress a butterfly. Yet the New Times would rush upon you had Otherdom
a place with you. That is the substance of which Knowledge is but the
shadow playing about it—growing as it grows. You seek to puff out the
shadow—it will be shadow merely while Time’s torch burns. Look yonder.
Who comes? Speak to her.
(_Enter a Woman outcast._)
HORACE. No, thank you. I’d rather not. I warn you, if you are seen you
will have an awful crowd round you.
MESSENGER. I am visible to no eyes but yours.
HORACE. That’s clever. How do you do it?
MESSENGER. She is turning back. I will bring her to you.
HORACE. I wish you wouldn’t. You can’t realize——
MESSENGER. I know more of your world than you do. She is returning.
(_The Woman has sauntered on, looked at HORACE, loitered, and gone off R.
again. Now she re-enters in similar style._)
HORACE. And I’m off! (_Going L._)
MESSENGER. Stay! (_HORACE is pulled up._)
HORACE. I don’t care to be seen talking to her.
MESSENGER. Help her.
HORACE. Look here, I’m not invisible, and if I am seen by anybody in this
house—— Oh, Lor’!
MESSENGER. She comes. Another kind of wreck on the reefs of Self.
OUTCAST. You’ll catch cold, dear, if you don’t come indoors. (_HORACE
turns his back on her._) Bah, you! Give me a tanner to get a drink with?
HORACE. Good night! Good night!
MESSENGER. Help her.
HORACE. I have no silver left.
MESSENGER. Give her gold. Give her gold.
HORACE. Gold—there’s none in circulation. Do you know what she is? A vile
wanton, a plague of the streets!
MESSENGER. No more! Dare man so speak of women? Oh, are you not Joint
Guardians of the Future? Give, Horace, give.
(_HORACE gives a pound note. She looks at it and becomes half
hysterical._)
OUTCAST. It’s a pound, sir—a pound note. Did you mean it?
HORACE. I had to give you something.
OUTCAST. Bless your good heart! It’ll pay the rent, sir. We won’t have to
turn out. You don’t know what a lift it is, sir. Thank you, thank you,
sir. Good night, sir. Good night, sir. Oh, bless you! (_Exit R._)
MESSENGER. Is it not blessed to give?
Public-domain text, read in full here on John Shaqi.
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