A message from Mars : $b A fantastic comedy in three actsGanthony, Richard
Science
A message from Mars : $b A fantastic comedy in three acts
Ganthony, Richard
Dreams -- Drama; England -- Social life and customs -- 19th century -- Drama; Man-woman relationships -- Drama; Selfishness -- Drama
HORACE. Fire! (_Then he checks himself._) Hope nobody heard me. My
nerves are all on edge. I wish old Marsy would tell me whether that
inventive vagabond got over his troubles or peacefully expired in the
snow. Poor devil! I almost wish I could meet him again. We call such
fellows riff-raff, rabble, but, if the truth were told, might not some of
us be found to be the real loafers in the snug corners of Easy Street,
of little good to anyone, cumbering up the way till that old patrolman,
Death, steps up and bids us “Move on”?
(_Enter BELLA abruptly and alarmed, R._)
BELLA. Oh, sir, did you call?
HORACE. Call? (_Innocently._) Call what?
BELLA. Fire, sir. Fire.
HORACE. Fire is all right. Burning nicely.
BELLA. Yes, sir. Perhaps it was the fire engine going by.
HORACE. Very likely. Very likely. Did one go by?
BELLA. Yes, sir—and I was half dozing, and——
HORACE. You must have been dreaming, Bella. That’s very wrong. You
shouldn’t. It’s a bad habit to get into. However, as you are sleepy you
needn’t wait up. I shan’t sleep again. I mean I don’t think I shall feel
like going to sleep at all.
BELLA. (_Aside_) As if I didn’t see him asleep. I think I would like to
go to bed, sir, if you think Miss Minnie won’t want anything. They can’t
be long now, sir.
HORACE. No. You go to bed. By the way, did you fill the lamp?
BELLA. Yes, sir, and made up the fire, and brought you in your “Extra.”
HORACE. Extra? (_Almost reeling with nervousness._)
BELLA. Yes, sir, I put it on the table. Oh, sir, are you ill?
HORACE. Ill? No. What an idea!
BELLA. You were so—so busy, sir, when I came in with the oil, I didn’t
like to wa—— to disturb you, sir. Good night, sir.
Public-domain text, read in full here on John Shaqi.
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