A message from Mars : $b A fantastic comedy in three actsGanthony, Richard
Science
A message from Mars : $b A fantastic comedy in three acts
Ganthony, Richard
Dreams -- Drama; England -- Social life and customs -- 19th century -- Drama; Man-woman relationships -- Drama; Selfishness -- Drama
MINNIE. I like him, but I don’t love him. How strange it is. He
would do anything for me, while—well—I don’t suppose _he_—(_Meaning
HORACE_)—would, unless a mountain fell at his feet to start him into
action. (_Enter AUNT._)
AUNT. A very nice young man, but hardly correct of him to come in at such
an hour.
MINNIE. Oh, Auntie, we made him. But where can Horace be, then? His coat
has gone. (_Pointing to chair below fireplace where it had been. AUNT
notices closet open and empty._)
AUNT. Oh! There have been burglars here! Coats all taken. He has pursued
them.
MINNIE. He couldn’t wear all his coats at once.
(_Sounds of voices at front door heard, growing louder and louder._)
AUNT. They are returning for more plunder.
(_Enter R. a crowd of poor people, preceded by a burly working man, half
dressed, carrying a child. He advances well to C., the ladies retreating
in alarm before him, slightly screaming. He stops short._)
WORKING MAN. Gent told us to come in, ladies. We’re all burnt out by the
fire.
MINNIE. He has been to the fire!
AUNT. Gather round the fire. Bring the children to the front. This is
terrible! Poor little ones!
(_The crowd consists of the following: First the man described, whose
face is partly blackened by smoke, his child wrapped in a bit of
blanket; then a woman wearing HORACE’S fur coat over her night dress,
and carrying a baby. An old couple, woman wearing a gray overcoat of
HORACE’S; a girl wearing HORACE’S mackintosh over nightclothes; she
leads a boy in knee pants, no stockings, and one shoe on; a little girl
carrying a baby. She tries to get to fire, but is blocked off by others,
so dives under the table with her charge. Others, men and women, may be
added, one wearing another of HORACE’S overcoats. Then comes in HORACE
and the TRAMP, carrying an unconscious youth whom they place on the sofa
C. BELLA also comes in, looking rather bewildered._)
HORACE. Ah, that’s right, Bella, stir up the fire. Then call all the
servants and start fires in all the bedrooms. We must find places for
these unfortunate people. Has the doctor come yet? I am awfully afraid
this lad is beyond his aid.
AUNT. What is the matter with him, Horace?
HORACE. Half an arm burnt away.
MINNIE. These tiny tots! Would a little wine help them or you?
FIRST WORKING WOMAN. You set us hoping, Miss, so you do. We ought to be
thankful for our lives and our babies. Some didn’t get out. I don’t know
how many.
MINNIE. (_Giving wine_) Try and not worry. We’ll do what we can.
HORACE. Yes, cheer up, folk! We’ll see you on your feet again.
FIRST WORKING MAN. Thank you, Mister. That’s a kind word, no mistake.
HORACE. No doctor yet? I’ll go myself. Where is our doctor? (_He lifts
his fur cap off a child’s head and gets his scarf from another._)
MINNIE. Dr. Chapman is only a few doors down on the right. You’ll know
the house by the red light. (_HORACE is going R. A knock on front door
heard._) Perhaps that is the doctor.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account