A message from Mars : $b A fantastic comedy in three actsGanthony, Richard
Science
A message from Mars : $b A fantastic comedy in three acts
Ganthony, Richard
Dreams -- Drama; England -- Social life and customs -- 19th century -- Drama; Man-woman relationships -- Drama; Selfishness -- Drama
HORACE. To women? In some respects I think I do.
AUNT. Oh, do you?
HORACE. For one thing, a cigar doesn’t talk. And when you have finished
with one, you can begin another.
(_Enter MINNIE L._)
MINNIE. I can’t find your cigar case anywhere. You’ve found it!
HORACE. In my pocket all the time.
MINNIE. (_Goes to him and places cushions in chair_) There, now. Are you
nice and comfortable?
HORACE. No. Not at all.
AUNT. Don’t speak to him, dear. He isn’t worth it.
MINNIE. Now, Auntie dear, I must make my boy cosy, and then I think I
shall go to bed.
AUNT. What? Give up the dance?
MINNIE. Oh, never mind about that.
AUNT. Horace, I ask you, have you the heart to let Minnie sacrifice her
pleasure for you in this way?
MINNIE. But, Auntie, it doesn’t matter, really it doesn’t.
AUNT. I’m very angry with him.
HORACE. I am not sacrificing her pleasure, it’s you. Why don’t you go?
AUNT. You know I can’t.
HORACE. There’s nothing to prevent you, except your absurd vanity.
MINNIE. For shame, Horace!
AUNT. Vanity indeed! How dare you?
HORACE. It’s perfectly true. It’s just your nonsense about a dress.
AUNT. Very well, then, you shall see. I will go. I don’t care how I look.
HORACE. And I am sure I don’t, either.
AUNT. Minnie shan’t be deprived of her evening. I’ll put on my yellow
satin and look a perfect fright.
HORACE. I’ll believe you when I see you.
MINNIE. I have quite given up the idea, Auntie.
AUNT. But I haven’t. You shall see, Horace, I keep my word.
HORACE. Oh, devil doubt you!
AUNT. Whatever it costs me, I’ll do my duty.
MINNIE. I don’t want to inflict this on you, Auntie dear. I’m quite
content to go to bed.
AUNT. Content. Oh, yes, I understand your content. But you shall go, my
dear, to as many balls and parties as possible. You shall go to Ascot
and Henley and Goodwood and Cowes. We’ll find escorts easily enough. You
shall see plenty of new faces. I’ll take care of that. Vanity, indeed!
I’ll teach him to call me vain! (_Starts to exit L. when BELLA enters R.
with box._)
BELLA. From Madame Louise, ma’m.
AUNT. The dress?
BELLA. Yes, ma’m.
AUNT. What a relief!
HORACE. What a relief!
MINNIE. Auntie, isn’t that splendid luck?
BELLA. Madame Louise hopes it will be in time.
AUNT. Just in time. Take it up to my room at once. (_Exit BELLA L._) I
won’t keep you waiting any longer than I can help. You’ll find Horace
such a delightful companion, so witty and entertaining. Oh, don’t speak
to him, then you won’t get any uncivil answers. (_Exit L._)
HORACE. (_After a pause, looks up from his paper_) Got the jumps.
MINNIE. You must have said something to upset her. She isn’t often like
that.
HORACE. I should hope not.
MINNIE. She’ll be all right to-morrow.
HORACE. That’s the worst of women, they’re so illogical, aren’t they?
MINNIE. I suppose they are.
HORACE. You know, she thinks I ought to have gone with you to-night.
That’s because she only looks at it from her own standpoint. Can’t take a
broad view of the case.
Public-domain text, read in full here on John Shaqi.
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