“Excellent well,” replied Hamlet, turning to Juliet; “a most estimable young person, the daughter of my father's chamberlain. She is rather given to singing ballads of an elegiac nature,” added the prince, reflectingly, “but our madcap Romeo will cure her of that. Methinks I see them now”-- “Oh, where, my lord?” “In my mind's eye, Horatio, surrounded by their little ones--noble youths and graceful maidens, in whom the impetuosity of the fiery Romeo is tempered by the pensiveness of the fair Ophelia. I shall take it most unkindly of them, love,” toying with Juliet's fingers, “if they do not name their first boy Hamlet.” It was just as my lord Hamlet finished speaking that the last horse-car for Boston--providentially belated between Water-town and Mount Auburn--swept round the curve of the track on which I was walking. The amber glow of the car-lantern lighted up my figure in the gloom, the driver gave a quick turn on the brake, and the conductor, making a sudden dexterous clutch at the strap over his head, sounded the death-knell of my fantasy as I stepped upon the rear platform. End of Project Gutenberg's A Midnight Fantasy, by Thomas Bailey Aldrich