There he lodged himself, as became a gentleman of fortune, in a suite of
chambers in a comfortable palace overlooking the swift-flowing Adige--a
riotous yellow stream that cut the town into two parts, and was
spanned here and there by rough-hewn stone bridges, which it sometimes
sportively washed away. It was a brave old town that had stood sieges
and plagues, and was full of mouldy, picturesque buildings and a gayety
that has since grown somewhat mouldy. A goodly place to rest in for the
wayworn pilgrim! He dimly recollected that he had letters to one or two
illustrious families; but he cared not to deliver them at once. It was
pleasant to stroll about the city, unknown. There were sights to
see: the Roman amphitheatre, and the churches with their sculptured
sarcophagi and saintly relics--interesting joints and saddles of
martyrs, and enough fragments of the true cross to build a ship. The
life in the _piazze_ and on the streets, the crowds in the shops, the
pageants, the lights, the stir, the color, all mightily took the eye
of the young Dane. He was in a mood to be amused. Everything diverted
him--the faint pulsing of a guitar-string in an adjacent garden at
midnight, or the sharp clash of gleaming sword blades under his window,
when the Montecchi and the Cappelletti chanced to encounter each other
in the narrow footway.
Meanwhile, Hamlet brushed up his Italian. He was well versed in the
literature of the language, particularly in its dramatic literature, and
had long meditated penning a gloss to “The Murther of Gonzago,” a play
which Hamlet held in deservedly high estimation.
He made acquaintances, too. In the same palace where he sojourned
lived a very valiant soldier and wit, a kinsman to Prince Escalus, one
Mercutio by name, with whom Hamlet exchanged civilities on the staircase
at first, and then fell into companionship.
A number of Verona's noble youths, poets and light-hearted
men-about-town, frequented Mercutio's chambers, and with these Hamlet
soon became on terms.
Among the rest were an agreeable gentleman, with hazel eyes, named
Benvolio, and a gallant young fellow called Romeo, whom Mercutio
bantered pitilessly and loved heartily. This Romeo, who belonged to one
of the first families, was a very susceptible spark, which the slightest
breath of a pretty woman was sufficient to blow into flame. To change
the metaphor, he fell from one love affair into another as easily and
logically as a ripe pomegranate drops from a bough. He was generally
unlucky in these matters, curiously enough, for he was a handsome youth
in his saffron satin doublet slashed with black, and his jaunty velvet
bonnet with its trailing plume of ostrich feather.
Public-domain text, read in full here on John Shaqi.
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