A mirror for witches : $b in which is reflected the life, machinations, and death of famous Doll Bilby, who, with a more than feminine perversity, preferred a demon to a mortal lover; here is also told how and why a righteous and most awfull judgement befell her, destroying both corporeal body and immortal soul — John Shaqi
A mirror for witches : $b in which is reflected the life, machinations, and death of famous Doll Bilby, who, with a more than feminine perversity, preferred a demon to a mortal lover; here is also told how and why a righteous and most awfull judgement befell her, destroying both corporeal body and immortal soulForbes, Esther
History
A mirror for witches : $b in which is reflected the life, machinations, and death of famous Doll Bilby, who, with a more than feminine perversity, preferred a demon to a mortal lover; here is also told how and why a righteous and most awfull judgement befell her, destroying both corporeal body and immortal soul
Forbes, Esther
Historical fiction; Paranormal fiction; Salem (Mass.) -- History -- Colonial period, ca. 1600-1775 -- Fiction; Trials (Witchcraft) -- Fiction; Witches -- Fiction; Women -- Massachusetts -- Salem -- Fiction
The cold of the night, the terror of her soul, the dearth of food, the
sorrow of her heart struck her into a stupor from which she could not
move. Through this stupor, in steady procession, and with much pomp
and circumstance, a long parade of figures, fiends, witches, warlocks,
imps, beasts, familiars, satyrs, and even the beautiful chaste Diana
herself, moved in fleshly form: a wicked, most fantastic procession.
Goblins were there with faces of cats and owls, salamanders but lately
crawled from fire. Basilisks were there, serpents, vampires with bats’
wings and horrid mouths swollen with blood. The pretty pink bodies of
innocent babes were there, who had died unbaptized, and therefore must
stand as servants in the halls of Hell, and with them were pucks and
pugs.
After them rolled through the forest a great orange cloud—like an old
and tarnished fire—no longer heat-giving. At first her eye could make
nothing of it. Then she saw projecting through the dun vapours were
naked legs and arms, bits of bodies, and drawn and skull-like heads
with tortured eyes. These were they the French burned at Mont Hoël in
Brittany. Although she might not know them, her parents were among
them. A group came slowly after these, shrouded and shuffling through
the woods. In the midst of these she saw Goody Greene. This woman,
alone of all the passers-by, turned and looked towards Doll. But her
eyes were blind.
Last of all came Ahab shaking his black head, a cowslip hanging from
his blue lips. She would sleep and wake, but the procession would still
be passing by, and every so often Ahab would pass by. The woods were
humming-full with an infinity of unearthly things. There was continuous
lovely singing—or rather a rhythmic humming that rose and fell and rose
again.
6
_With daylight the tides of Hell recede. Doll wakes but to a more
determined Evil._
At last she awoke to see, not the procession of Hell, but bright day.
The humming, however, still continued in her head, rising and falling,
but not going away. She was frozen cold to her marrow. Now the loss of
her foster father had become a tiny thing infinitely far away and long,
long ago. All her previous existence seemed removed from her as if
again a barrier had come down upon her, shutting one part of her life
from the next. So, although she thought sadly of the kind man’s death,
it already seemed one with the destruction of her parents—that is, a
thing which has happened long back in childhood.
Public-domain text, read in full here on John Shaqi.
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