A Miscellany of MenChesterton, G. K. (Gilbert Keith)
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A Miscellany of Men
Chesterton, G. K. (Gilbert Keith)
English essays -- 20th century
The point is not that women are unworthy of votes; it is not even that
votes are unworthy of women. It is that votes are unworthy of men, so
long as they are merely votes; and have nothing in them of this ancient
militarism of democracy. The only crowd worth talking to is the crowd
that is ready to go somewhere and do something; the only demagogue worth
hearing is he who can point at something to be done: and, if he points
with a sword, will only feel it familiar and useful like an elongated
finger. Now, except in some mystical exceptions which prove the rule,
these are not the gestures, and therefore not the instincts, of women.
No honest man dislikes the public woman. He can only dislike the
political woman; an entirely different thing. The instinct has nothing
to do with any desire to keep women curtained or captive: if such a
desire exists. A husband would be pleased if his wife wore a gold crown
and proclaimed laws from a throne of marble; or if she uttered oracles
from the tripod of a priestess; or if she could walk in mystical
motherhood before the procession of some great religious order. But that
she should stand on a platform in the exact altitude in which he stands;
leaning forward a little more than is graceful and holding her mouth
open a little longer and wider than is dignified--well, I only
write here of the facts of natural history; and the fact is that it is
this, and not publicity or importance, that hurts. It is for the modern
world to judge whether such instincts are indeed danger signals; and
whether the hurting of moral as of material nerves is a tocsin and a
warning of nature.
THE POET AND THE CHEESE
There is something creepy in the flat Eastern Counties; a brush of the
white feather. There is a stillness, which is rather of the mind than of
the bodily senses. Rapid changes and sudden revelations of scenery, even
when they are soundless, have something in them analogous to a movement
of music, to a crash or a cry. Mountain hamlets spring out on us with
a shout like mountain brigands. Comfortable valleys accept us with open
arms and warm words, like comfortable innkeepers. But travelling in the
great level lands has a curiously still and lonely quality; lonely even
when there are plenty of people on the road and in the market-place.
One's voice seems to break an almost elvish silence, and something
unreasonably weird in the phrase of the nursery tales, “And he went a
little farther and came to another place,” comes back into the mind.
Public-domain text, read in full here on John Shaqi.
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