A Modern Aladdin; or, The Wonderful Adventures of Oliver Munier: An Extravaganza in Four ActsPyle, Howard
History
A Modern Aladdin; or, The Wonderful Adventures of Oliver Munier: An Extravaganza in Four Acts
Pyle, Howard
Alchemists -- Fiction; France -- History -- Louis XV, 1715-1774 -- Fiction; Saint-Germain, comte de, -1784 -- Fiction
For a long time the street below lay deserted in the silence of the
moonlight. In the stillness Oliver could hear the far-away sound of
running water and the distant barking of a dog. He leaned against the
side of the window, watching with fascinated interest for the return
of the serving-man. At last he thought that he saw a movement far down
upon the moonlit street. It was Gaspard returning, without his burden.
He appeared, disappeared, passed through the silent blocks of shadow,
of moonlight, of shadow, with the same swift, noiseless steps, until he
reached the road in front of the house. Then he stopped short; there
was a momentary pause, and then he looked quickly and suddenly up. It
was the face of a grinning devil from hell that Oliver saw.
Their glances met; Gaspard's eyes glistened in the moonlight. That
meeting of glances was but for an instant. The next, Gaspard clapped
his hands to the pit of his stomach, and bending over, writhed and
twisted and doubled himself in a convulsion of silent, crazy laughter.
After a while he straightened himself again, and as Oliver gazed,
fascinated, he suddenly began an uncouth, grotesque dance. Around and
around he spun, hopping and bobbing up and down; around, around, with
his black shadow--pot-bellied, long-limbed, and spider-like--hopping
beneath him. So hopping and bobbing, with wagging head and writhing,
twisting limbs, he drew nearer and nearer to the door. Another leap,
and he had hopped into the house, and the street was silent and
deserted once more in the white moonlight.
For a while Oliver continued leaning out of the window, dazed,
bewildered with what he had seen. Then he slowly drew his head in
again, and with trembling limbs and quaking body crawled back to his
blankets that lay in a heap upon the floor in the darkness. He heard a
distant clock strike two; he would have given ten years of his life for
a ray of good, honest sunlight.
_The Morning._
"Did the cats annoy you last night?" said Oliver's mother, as they sat
at breakfast.
"No," said the new uncle. Gaspard and he looked as if they had never
opened their eyes the whole night through.
Oliver sat with the untasted breakfast before him, heavily burdened
with the recollection of what he had seen. For one moment he woke to
the question and answer, and wondered vaguely whether the little supper
of the night before had given him the nightmare. Then his heart sank
back, heavier than ever, for he knew that what he had seen he had seen
with his waking eyes.
Suddenly the new uncle looked up. "We will start for Paris," said he,
"at nine o'clock."
Oliver's heart thrilled at the words. It was on his tongue to say, "I
do not want to go to Paris," but Gaspard's mouse-like eyes were fixed
upon him, and he gulped, shuddered, and sat silent.
[Illustration: "HE SUDDENLY BEGAN AN UNCOUTH, GROTESQUE DANCE."]
SCENE THIRD.--_Paris._
Public-domain text, read in full here on John Shaqi.
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