A Modern Aladdin; or, The Wonderful Adventures of Oliver Munier: An Extravaganza in Four ActsPyle, Howard
History
A Modern Aladdin; or, The Wonderful Adventures of Oliver Munier: An Extravaganza in Four Acts
Pyle, Howard
Alchemists -- Fiction; France -- History -- Louis XV, 1715-1774 -- Fiction; Saint-Germain, comte de, -1784 -- Fiction
In the middle of the room stood an ebony table inlaid with ivory and
mother-of-pearl; above it hung a lamp inlaid with gold and swung from
the arched stone ceiling above by three golden chains. Beside the table
stood a chair of some dark red wood, richly inlaid like the table, with
ivory and mother-of-pearl, and by the chair leaned a lute ready strung,
as though just laid aside by the performer, though the strings, long
untouched, were thick and fuzzy with green mildew. Upon the chair was
a tasselled cushion, one time rich and ornate, now covered with great
blotches of decay. Upon the table were two golden trays--one of them
containing a small mass of mildew that might at one time have been
fruit or confections of some sort; the other, an empty glass vase or
decanter as clear as crystal, but stained with the dry dregs of wine,
and two long crystal glasses, one of them overset and with the stem
broken. In a dim distant corner of this one-time magnificent room stood
a draped couch or bed, with heavy hangings tattered and stained with
rot, the once white linen mildewed and smeared with age.
All these things Oliver saw as he stood in the door-way looking slowly
and breathlessly around him; then, of a sudden, his heart tightened
and shrunk together, the lantern in his hand trembled and swayed, for
upon the bed, silent and motionless, he saw the dim, dark outline of a
woman's figure lying still and silent.
"Who--who is there?" he quavered, tremulously; but no answering voice
broke the silence.
As he stood there, with his heart beating and thumping in his throat,
with beads of cold sweat standing on his forehead, and now and then
swallowing at the dryness in his throat, a fragment of the hangings
above the bed, loosened perhaps by the breath of air that had come
in through the open door behind, broke from its rotten threads, and
dropped silent and bat-like to the floor. Oliver winked rapidly in the
intensity of high-keyed nervous strain. How long he stood there he
could never tell, but suddenly the voice of the master breathed through
the stillness behind him and from above: "Hast thou found the bottles
of water?"
Oliver started, and then, with the same jerky automaton-like steps
with which he had descended the stone stair-way from above, he began
crossing the room to the arrased door-way which he dimly distinguished
upon the other side of the apartment.
Midway he stopped, and, turning his head, looked again at the silent
figure lying upon the bed. He was nearer to it now, and could see it
more clearly in the dim yellow light of the lantern. The face was
hidden, but the floating, wavy hair, loosened from a golden band which
glimmered faintly in the raven blackness, lay spread in shadow-like
masses over the stained and faded surface of the silken pillow upon
which the head lay.
Public-domain text, read in full here on John Shaqi.
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