A Modern Aladdin; or, The Wonderful Adventures of Oliver Munier: An Extravaganza in Four ActsPyle, Howard
History
A Modern Aladdin; or, The Wonderful Adventures of Oliver Munier: An Extravaganza in Four Acts
Pyle, Howard
Alchemists -- Fiction; France -- History -- Louis XV, 1715-1774 -- Fiction; Saint-Germain, comte de, -1784 -- Fiction
Oliver passed through the door-way, and it was as though he had stepped
from the threshhold of one world into another. Never in his life had he
seen anything like that world. He turned his head this way and that,
looking about him in dumb bewilderment. In confused perception he saw
white and gold panels, twinkling lights, tapestried furniture,
inlaid cabinets glittering with glass and china, painted screens
whereon shepherds and shepherdesses piped and danced, and white-wigged
ladies and gentlemen bowed and postured. A black satin mask, a painted
fan, and a slender glove lay upon the blue damask upholstery of a white
and gold sofa that stood against the wall--the mask, the fan, and the
glove of a fine lady. But all these things Oliver saw only in the
moment of passing, for Gaspard led the way directly up the long room
with a step silent as that of a cat. A heavy green silk curtain hung in
the door-way. Gaspard drew it aside, and Oliver, still as in a dream,
passed through and found himself in a small room crowded with rare
books, porcelains, crystals, and what not.
[Illustration: "'GOOD-DAY, MONSIEUR,' SAID A FAMILIAR VOICE."]
But he had no sight for them; for in front of a glowing fire, protected
by a square screen exquisitely painted, and reclining in the midst of
cushions on a tapestried sofa, clad in a loose, richly-embroidered,
quilted dressing-robe, his white hand holding a book, between the
leaves of which his finger was thrust, his smiling face turned towards
Oliver--sat the master.
As Oliver entered past the bowing Gaspard, he tossed the book aside
upon the table, and sprang to his feet.
"Ah, Oliver, my dear child!" he cried. "Is it then thou again? Embrace
me!" and he took the limp Oliver into his arms. "Where hast thou been?"
And he drew back and looked into Oliver's face.
"I do not know," croaked Oliver, helplessly.
"Ah! Thou hast been gone a long time. Thou art hungry?"
"I was," said Oliver, wretchedly; "but I am not hungry now."
"Nay," said the other; "thou must be hungry. See! Another little
supper;" and he motioned with his hand.
Oliver had not noticed it before, but there was a table spread with a
white damask cloth, and with chairs placed for two.
"Let Gaspard show you to your apartment, where you may wash and refresh
yourself, and by that time the little supper will be ready."
Oliver wondered what all this meant. He could scarcely believe that the
smooth-spoken master and the quiet and well-trained serving-man were
the same two as those white-faced demons who had grinned and gnashed at
him across the blood-red line drawn around the door-way yonder, and yet
he could not doubt it.
* * * * *
The supper was over, and the master, with his fingers locked around his
glass, leaned across the table towards Oliver, who, after all, had
made a good meal of it.
[Illustration: "THE QUESTION WAS SO SUDDEN AND SO STARTLING THAT OLIVER
SANK BACK IN HIS SEAT."]
Public-domain text, read in full here on John Shaqi.
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