A Modern Aladdin; or, The Wonderful Adventures of Oliver Munier: An Extravaganza in Four Acts — John Shaqi
A Modern Aladdin; or, The Wonderful Adventures of Oliver Munier: An Extravaganza in Four ActsPyle, Howard
History
A Modern Aladdin; or, The Wonderful Adventures of Oliver Munier: An Extravaganza in Four Acts
Pyle, Howard
Alchemists -- Fiction; France -- History -- Louis XV, 1715-1774 -- Fiction; Saint-Germain, comte de, -1784 -- Fiction
"One day the Father Superior sent to him a great chest of Arabian books
which had just been received at the convent. Among them was a curious
little volume, square and bulky, which was not written in Arabic,
but in characters of a kind which Raymond had never seen before, and
which somewhat resembled Hebrew. Upon the first page of the book was
a picture, and upon the last page was another. The first represented
a flower with a blue stalk, red and white blossoms, and leaves of
pure gold, which stood upon a mountain-top, and was bent by a gust
of wind which blew from a blood-red cloud. Around the flower was a
circle of open eyes. Above this circle was a naked hand holding a
sword transversely by the blade. Below was a heart transfixed by what
appeared to be a long pointed nail or spike. The picture upon the
last page of the book represented a king with a golden sword in the
act of killing a naked child, and a beautiful winged figure catching
the blood in a crystal vase. At the head of the first page of the text
of the book were three rubricated Arabic words. Below the last page of
the text were three Hebrew words, also in rubrics. All six words had
a meaning, but it is not necessary to tell you what they were or what
they were intended to signify.
"Now it chanced one day that Raymond was reading a volume written by
one Abou Ben Hassan, surnamed Al Sofi, or the Wise. The manuscript
had been sent to him by the Father Superior in the same case with the
curious little volume of which I have first spoken. This work of the
learned Ben Hassan was written upon the subject of hermetic philosophy.
In it was one passage upon which Raymond Lulli happened, and which
altered the whole course of his life. The author was descanting upon
the learning and wisdom of Hermes Trismegistus, of whom, Oliver, it is
altogether likely that you never heard. The passage itself ran somewhat
thus (I have often read it myself): 'Since that time, so the words ran,
hath never a man lived so wise as Hermes Trismegistus, saving only the
great Geber (so called by the Christians, but whom the learned among
the faithful knew better as Abou Moussah Djafar), who was, indeed,
the ripest apple from the flowery tree of learning. He it was who
wrote that great thesis, which, did it now exist (for it is, alas!
lost to the world), and did there live a being possessed with deep and
sufficient knowledge to read the same, would more enrich him who could
interpret it, both with knowledge and with wealth, than any one who
hath ever lived since the days of King Solomon. It would, moreover,
teach him a knowledge of that by means of which he might prolong his
life to a thousand years, if he so chose to prolong it. For the great
Geber had collected with infinite pains and ripest study the wisdom
hidden in the tombs and mountains of farther Egypt, and had in his work
explicated those two mysterious arcana which the wisdom of ages hath
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