A Modern Aladdin; or, The Wonderful Adventures of Oliver Munier: An Extravaganza in Four ActsPyle, Howard
History
A Modern Aladdin; or, The Wonderful Adventures of Oliver Munier: An Extravaganza in Four Acts
Pyle, Howard
Alchemists -- Fiction; France -- History -- Louis XV, 1715-1774 -- Fiction; Saint-Germain, comte de, -1784 -- Fiction
Flourens was a little town lying quite out of the usual route of
young English travellers of rich connections making the "grand tour,"
and so, having nothing to recommend it in itself, was unknown to the
great world without--dull, stupid, stagnant. Hardly ever a visitor
from that great outside world appeared within the circle of its
hopeless isolation. So it was a very strange thing to the town when
one morning a great coach, as big as a house, dragged by four horses,
with postilions clad in scarlet faced with blue, their legs incased
in huge jack-boots, and each with a club queue as thick as his wrist
hanging down his back, came whirling, rattling, lumbering, in the midst
of a swirling cloud of dust, into the silence of the town. It was
twice wonderful when the coach stopped at the inn, and it was thrice
wonderful when an odd, lean, wizened little man, evidently the servant,
let down the steps and helped a strange gentleman from within. He was
a tall, dark gentleman, dressed in black from head to foot--from the
black hat with the black feather to the black silk stockings. From the
gentleman's shoulder hung a long black cloak trimmed and lined with
black fur, and Flourens had never seen his like before. He neither
looked to the right nor to the left, but, without saying good or bad to
any living soul, he and the odd, lean little servant entered the inn,
leaving the crowd that stood without staring and gaping after him. Then
the great coach disappeared through the arched gate that led to the
stable-yard, but it was a long time before the crowd began to disperse,
before the gossiping began to cease, before the cloud of silence and
dullness and stagnation settled by degrees upon the town again. How it
was maybe an hour and a half, and the last of those who had looked and
wondered had gone about their business.
All is quiet, dull, heavily silent again, and in all the bald stretch
of road nothing is to be seen but two women gossiping at a gate-way,
and a solitary cat upon a garden wall watching two sparrows chirping
and fluttering upon the eaves.
[Illustration: "HE WAS A TALL, DARK GENTLEMAN, DRESSED IN BLACK FROM
HEAD TO FOOT."]
It is with this setting that the play opens, and Oliver Munier, the
son of the late Jean Munier, is discovered leaning against the wall
of the house, basking in the sun, his blouse tucked up, his hands in
his pockets, and a straw in his mouth, which he now and then chews
passively in drowsy laziness. Within, his mother is busied about the
house-work, now and then rattling and stirring among the pots and pans,
now and then scolding at him in a shrill, high-pitched voice, to which
he listens with half-shut eyes, chewing his straw the while.
Public-domain text, read in full here on John Shaqi.
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