A Modern Aladdin; or, The Wonderful Adventures of Oliver Munier: An Extravaganza in Four ActsPyle, Howard
History
A Modern Aladdin; or, The Wonderful Adventures of Oliver Munier: An Extravaganza in Four Acts
Pyle, Howard
Alchemists -- Fiction; France -- History -- Louis XV, 1715-1774 -- Fiction; Saint-Germain, comte de, -1784 -- Fiction
Oliver's lips moved, but he could not answer. He stood leaning with
his hand upon the side of the table, stunned and dizzied. He felt as
though every word that the master spoke struck a leaden blow upon his
heart. But the other did not wait for a reply. He flung back his cloak,
and brought forth that which he carried beneath it. It was the magic
mirror, upon the face of which was drawn the sign that, as Oliver knew,
stood between his master and his supernatural power.
The master stood it upon the table beside Oliver, and then, brushing
the dust from his hands, turned a smiling face upon his victim.
"You cannot guess?" said he, returning to the question he had asked.
"Ah, well, it does not matter. I will tell you. I intend to pierce your
heart through that young wife of yours, Oliver."
The words struck upon Oliver's ears like a blow, and like a blow
shattered into fragments the dull, heavy, icy despair that rested upon
him.
"My wife!" he cried. "My wife! Oh God! You devil! You at least shall
die!" His dress-sword hung at his side, and as he spoke he flashed it
out.
But the Count de St. Germaine only laughed. "Come," said he, "we are
silly; we are childish. Do you think, then, that I am afraid of your
sword? Ha!"
As he uttered the exclamation he struck his hands sharply together, and
it seemed to Oliver as though the blow had fallen upon him physically.
Sparks of fire danced before his eyes; for a few seconds his head
spun like a teetotum, and the objects in the room flew around him in
a dizzy horizontal whirl. Suddenly the whirling stopped, and as his
brain recovered from its confusion, he saw before him again the pale,
smiling face of the master. He still held his sword in his hand, but he
was powerless. It was as though a leaden weight hung upon his will. He
could move neither hand nor foot.
"Put up your sword, my child," said the Count de St. Germaine.
Oliver strove to resist the command, but it was as though his body
was not his own--as though the master controlled it. His arm appeared
to rise of itself, stiffly, and the sword slid back again into the
scabbard.
"Now, then," said the master, "look into the mirror and see what you
shall see; it is spoiled forever to my sight, but for you its power is
as great as ever. Look!"
Oliver fixed his gaze upon the smooth, brilliant surface of the glass
as he was bidden to do. His own face stood there for a moment, then
blurred, faded, dissolved. Then on this brilliant surface he saw
Céleste.
She stood in her own room as he stood here before the glass--stiffened
in every limb--fixed, immovable, as though the same leaden power that
overmastered him overmastered her.
[Illustration: "OLIVER FIXED HIS GAZE UPON THE SMOOTH, BRILLIANT
SURFACE OF THE GLASS."]
The master stood with his eyes fixed upon Oliver's face, and perhaps
he saw in that face all that Oliver saw in the mirror.
Public-domain text, read in full here on John Shaqi.
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