A Modern Aladdin; or, The Wonderful Adventures of Oliver Munier: An Extravaganza in Four ActsPyle, Howard
History
A Modern Aladdin; or, The Wonderful Adventures of Oliver Munier: An Extravaganza in Four Acts
Pyle, Howard
Alchemists -- Fiction; France -- History -- Louis XV, 1715-1774 -- Fiction; Saint-Germain, comte de, -1784 -- Fiction
"Ha!" said he, "it is as I had hoped, my dear Oliver. I congratulate
you; your wife is yours in heart and soul. That is the secret of my
power over her. I reduce you to my will by my occult power, and at the
same time I reduce her also. Observe now what comes of it."
He made a rapid pass in the air, and in an instant Oliver saw Céleste's
stiff and rigid form become soft and relaxed. Her face was still white
and stony, her eyes were still set intently as ever, but she began
moving. Reaching her hand out before her, as though feeling her way in
darkness, she passed out of the door of the room.
The master had ceased smiling now, and he stood motionlessly with his
gaze fixed upon Oliver's face. His brows were drawn together; his eyes
sparkled and glanced like those of a snake; his very head seemed to
flatten and broaden like a serpent's when it fixes its victim. He made
a quick gesture with his hands, and Oliver saw Céleste stop, take up a
cloak from a chair and wind it around her face and body until she was
completely disguised. Then she moved again, and presently Oliver saw
that she had passed out into the dark court-yard. As she drew near
the great gate-way, he saw that it stood open, although, no doubt, the
porter had long since closed it. Then, in a moment, Céleste stopped
short, and Oliver saw that a coach, with unlighted lamps, stood near
at the open gate-way. Suddenly the door of the coach opened, and some
one leaped out from within; swiftly, silently, like a hideous distorted
shadow. The lanterns at the gate were unlighted, but Oliver knew that
distorted, shadow-like figure at once, and as clearly as though he
saw it with the eyes of his soul--it was Gaspard. Gaspard thrust his
hand into his bosom and drew forth something long and dark. As he
approached her Céleste began struggling, as though with the inflexible
though invisible power that held her. In her struggles the cloak fell
away from her face, and Oliver had one dreadful glimpse of it. The
next instant it was hidden. Gaspard, with one sudden movement, and in
spite of her blind struggles, had drawn the black bag over her head and
shoulders. At that sight Oliver gave a shrill, piping, inarticulate
cry. The next instant he saw Gaspard pick her up bodily, and, running
forward, fling her limp, death-like form into the coach, leap in
himself, close the door with a crash that Oliver almost heard, and the
next moment rumble away into the darkness.
"Oh God!" whispered Oliver. "Oh God! Poor Céleste! poor Céleste!"
"That will do," said the master; "you need look no more;" and in answer
to his words Oliver turned towards him. A shadow of a dusky pallor lay
upon the master's face, and beads of sweat stood on his forehead.
"It is very difficult," he observed, "to psychologize two people at
once in this way, and they so far distant from one another. I am glad
that Gaspard has taken charge of the case, and removed the strain from
me."
Public-domain text, read in full here on John Shaqi.
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