A Modern Aladdin; or, The Wonderful Adventures of Oliver Munier: An Extravaganza in Four ActsPyle, Howard
History
A Modern Aladdin; or, The Wonderful Adventures of Oliver Munier: An Extravaganza in Four Acts
Pyle, Howard
Alchemists -- Fiction; France -- History -- Louis XV, 1715-1774 -- Fiction; Saint-Germain, comte de, -1784 -- Fiction
On he dashed through mud and puddles in the crooked streets or on
the side-way, for he did not choose his path now through the empty
blackness, now across a patch of moonlight, now under the dull glare
of a lantern. He had no need to look behind, for his soul knew that
she still followed. Suddenly he saw a narrow, crooked passage-way in
front of him. Without pausing to think, he doubled like a hare and shot
into it. It opened into a stony court surrounded with squalid houses,
huge, black, silent. At the farther end was a blind wall, and Oliver's
heart crumbled away within him, for an escape was at an end. He darted
one look over his shoulder--she was there; he could just see the dim
outline of her form flitting through the darkness. The next moment he
ran headlong against the wall and there flattened himself, spreading
out his palms over the rough surface, hiding his face against his
hands, panting and sobbing like a dumb creature.
Five seconds passed, ten, twenty. Oliver looked fearfully over his
shoulder, and then hid his face again; she was there, silent,
motionless; the faint glimmer of her white face turned full upon
him. Again he looked; she neither approached him nor drew away, and
by-and-by the impassive harmlessness of her stillness seemed to breathe
a breath of softness upon the black rigor of his terror. A faint spark
of courage began to glimmer in his heart, and one by one the scattered
forces of his will, torn asunder by the tumult of his blind terror,
began to gather together and to cohere into some form.
Suddenly there came a quick flash of thought to his mind. It was plain
she meant him no harm, and she was in some mysterious way connected
with the strange dark life of the master: might she not give him some
news of Céleste? He turned suddenly around towards the woman, and
instantly as he did so, exactly timing her movements with his, she also
turned. Fearing she might escape, he stepped quickly forward; instantly
she began to move away; he quickened his pace, she also quickened hers;
he began to run, her feet moved quickly, silently; she seemed to make
no exertion, but he neither gained nor lost a foot. At last, seeing the
uselessness of this crazy race through the silent and deserted streets,
he finally stopped; instantly he did so, she also stopped.
"What is it you want of me?" said Oliver. Then, again, receiving no
reply, "What is it you want of me?"
Still she made no answer, but stood there motionless, silent.
"Then go your way!" he burst out, desperately, at last. "I know you
now. You are like all the rest; you are a devil!"
As he spoke he turned and began to walk away, but he had not gone
twenty steps when, looking over his shoulder, he saw that she was
following him again, as she had followed him at first. Again he stopped
and turned, and again, as though she were his shadow, she also stopped
and turned. A long pause of silence followed.
Public-domain text, read in full here on John Shaqi.
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