A Modern Aladdin; or, The Wonderful Adventures of Oliver Munier: An Extravaganza in Four ActsPyle, Howard
History
A Modern Aladdin; or, The Wonderful Adventures of Oliver Munier: An Extravaganza in Four Acts
Pyle, Howard
Alchemists -- Fiction; France -- History -- Louis XV, 1715-1774 -- Fiction; Saint-Germain, comte de, -1784 -- Fiction
"Madame," said Oliver, at last, "I do not know why you thus choose to
dog my footsteps; is there anything that you desire of me?"
No answer.
He waited for a while; the silence weighed upon him like lead. "I
have done you no harm," said he, at last; "why do you follow me thus
persistently? Are you set as a spy upon me? Surely the master has
ruined me enough! Does he desire that I should take my own life? I was
about to destroy it when I saw you at the bridge over there."
He waited breathlessly for a reply, but there was no answer.
"Who are you?" he burst out after a while. "You frighten me with your
dreadful, mysterious presence! What have I to do with you, or you with
me?"
She remained as motionless and as silent as a statue.
"Listen!" said Oliver. "It is less dreadful to follow you than to have
you pursue me. Yes, I will follow you. It is but of little consequence
whither you take me, for nothing worse can happen to me than that which
I have already suffered. Yes, I will follow you." He advanced as he
spoke; the woman moved away.
This time Oliver did not hasten his steps as he had done heretofore,
but, keeping his eyes upon her, followed her doggedly and stubbornly.
Once more they came out upon the street which they had at first left,
and so to the bridge, which they crossed. Now and then, dreading lest
he might lose her in the blackness of the night, Oliver hastened his
steps, but invariably she quickened hers, so that at last he gave over
any fear that she might escape. A hope began to grow and expand in his
bosom: whither was she leading him? On and on they went; Oliver took no
heed whither. The streets now became broader and better lighted; they
had come to a better quarter of the town. But Oliver did not look about
him; he kept his eyes fixed upon his mysterious guide; now he did not
dare to lose her.
Suddenly she turned at right angles and entered a narrow, closed
alley-way. Oliver hurried after, and as he emerged into a little,
stony court lit by the dull red glow of a lantern, he saw her whom he
followed pause for an instant before a door-way, and the next moment
enter.
He leaned against the wall beside which he stood, shuddering and
trembling in the rush of a blinding hope. But there was no time for
hesitation; he must follow instantly if he would not lose sight of his
silent guide. He advanced boldly, and without a moment's hesitation
pushed open the door and entered the passage-way within.
SCENE SECOND.--_The master's apartments._
His guide must have been waiting for him, for, by the light of the
lantern without, he saw that silent and mysterious figure moving before
him, like a part of the shadowy darkness itself. For some distance he
made his way along the gloomy passage, feeling with his hand against
the wall. Suddenly he fell, with a noisy rattle and clatter, upon the
lower steps of a stair-way that led steeply up into a yawning blackness
above.
Public-domain text, read in full here on John Shaqi.
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