Produced by David Widger A MODERN CHRONICLE By Winston Churchill BOOK III Volume 5. CHAPTER I ASCENDI Honora did not go back to Quicksands. Neither, in this modern chronicle, shall we. The sphere we have left, which we know is sordid, sometimes shines in the retrospect. And there came a time, after the excitement of furnishing the new house was over, when our heroine, as it were, swung for a time in space: not for a very long time; that month, perhaps, between autumn and winter. We need not be worried about her, though we may pause for a moment or two to sympathize with her in her loneliness--or rather in the moods it produced. She even felt, in those days, slightly akin to the Lady of the Victoria (perfectly respectable), whom all of us fortunate enough occasionally to go to New York have seen driving on Fifth Avenue with an expression of wistful haughtiness, and who changes her costumes four times a day. Sympathy! We have seen Honora surrounded by friends--what has become of them? Her husband is president of a trust company, and she has one of the most desirable houses in New York. What more could be wished for? To jump at conclusions in this way is by no means to understand a heroine with an Ideal. She had these things, and--strange as it may seem--suffered. Her sunny drawing-room, with its gathered silk curtains, was especially beautiful; whatever the Leffingwells or Allisons may have lacked, it was not taste. Honora sat in it and wondered: wondered, as she looked back over the road she had threaded somewhat blindly towards the Ideal, whether she might not somewhere have taken the wrong turn. The farther she travelled, the more she seemed to penetrate into a land of unrealities. The exquisite objects by which she was surrounded, and which she had collected with such care, had no substance: she would not have been greatly surprised, at any moment, to see them vanish like a scene in a theatre, leaning an empty, windy stage behind them. They did not belong to her, nor she to them. Past generations of another blood, no doubt, had been justified in looking upon the hazy landscapes in the great tapestries as their own: and children's children had knelt, in times gone by, beside the carved stone mantel. The big, gilded chairs with the silken seats might appropriately have graced the table of the Hotel de Rambouillet. Would not the warriors and the wits, the patient ladies of high degree and of many children, and even the 'precieuses ridicules' themselves, turn over in their graves if they could so much as imagine the contents of the single street in modern New York where Honora lived?