A Modern Cinderella; Or, The Little Old Shoe, and Other StoriesAlcott, Louisa May
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A Modern Cinderella; Or, The Little Old Shoe, and Other Stories
Alcott, Louisa May
Fiction; Short stories
With a gesture full of energy, Laura tore her Minerva from top to
bottom, while two great tears rolled down the cheeks grown wan with
hope deferred.
"Tell him I believe all things, hope all things, and that I never can
forget."
Nan went to her and held her fast, leaving the prints of two loving but
grimy hands upon her shoulders; Di looked on approvingly, for, though
stony-hearted regarding the cause, she fully appreciated the effect;
and John, turning to the window, received the commendations of a robin
swaying on an elm-bough with sunshine on its ruddy breast.
The clock struck five, and John declared that he must go; for, being an
old-fashioned soul, he fancied that his mother had a better right to
his last hour than any younger woman in the land,--always remembering
that "she was a widow, and he her only son."
Nan ran away to wash her hands, and came back with the appearance of
one who had washed her face also: and so she had; but there was a
difference in the water.
"Play I'm your father, girls, and remember that it will be six months
before 'that John' will trouble you again."
With which preface the young man kissed his former playfellows as
heartily as the boy had been wont to do, when stern parents banished
him to distant schools, and three little maids bemoaned his fate. But
times were changed now; for Di grew alarmingly rigid during the
ceremony; Laura received the salute like a graceful queen; and Nan
returned it with heart and eyes and tender lips, making such an
improvement on the childish fashion of the thing that John was moved to
support his paternal character by softly echoing her father's
words,--"Take care of yourself, my little 'Martha.'"
Then they all streamed after him along the garden-path, with the
endless messages and warnings girls are so prone to give; and the young
man, with a great softness at his heart, went away, as many another
John has gone, feeling better for the companionship of innocent
maidenhood, and stronger to wrestle with temptation, to wait and hope
and work.
"Let's throw a shoe after him for luck, as dear old 'Mrs. Gummage' did
after 'David' and the 'willin' Barkis!' Quick, Nan! you always have old
shoes on; toss one, and shout, 'Good luck!'" cried Di, with one of her
eccentric inspirations.
Nan tore off her shoe, and threw it far along the dusty road, with a
sudden longing to become that auspicious article of apparel, that the
omen might not fail.
Looking backward from the hill-top, John answered the meek shout
cheerily, and took in the group with a lingering glance: Laura in the
shadow of the elms, Di perched on the fence, and Nan leaning far over
the gate with her hand above her eyes and the sunshine touching her
brown hair with gold. He waved his hat and turned away; but the music
seemed to die out of the blackbird's song, and in all the summer
landscape his eyes saw nothing but the little figure at the gate.
Public-domain text, read in full here on John Shaqi.
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