"A Modern Hercules," the Tale of a SculptressWinstock, Melvin G.
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"A Modern Hercules," the Tale of a Sculptress
Winstock, Melvin G.
American fiction -- 19th century
The wealth and fashion of the city sat spell-bound beneath the
eloquent tongue of the great divine. The sad face of the Madonna, in
the painted window of Geneva, grew sadder still as she looked down
upon the favored multitude. There were present there, men who headed
every published list of charity, who paid thousands for pew rental,
in this great official residence of God, yet who had no compunction
about wrecking a railroad and thereby indirectly spreading ruin among
hundreds. In the front row sat a bank president, who knew that on
the morrow his financial institution would be in irretrievable ruin,
yet who for months had been a pillar of the church and had some of
the congregational funds in his rapacious clutch. A poor wash woman
or window cleaner, probably attracted by the magnetic tones of the
stupendous organ, had dared to wander in. In simple ignorance she
had probably imagined that Christ’s boasted friendship for the poor
meant something to modern dogmatists, and had taken a seat high up
among these mighty lordlings of this majestic world. The congregation
held its breath in amazement, and could not have been more shocked if
the yellow fever in disguise had paid its fatal visit. This magnetic
indignation communicated itself to an usher in full dress. He came
forward and whispered something to the woman. She slowly rose and went
up into the gallery. _God had sold out all the down-stair seats to
the rich!_ The Madonna sighed in pity and was angry. The congregation
breathed a sigh of relief. The church itself cost half a million. It
had no reading room, free bath, employment bureau or lunch counter
attached to it. It was open for about nine months each year on Sundays,
and when a millionaire wanted to get married, or his heirs wanted to
bury him, so they could get up a sensational will contest and make
newspapers sell. Not far away from the church was a series of alleys,
where poverty held supreme sway, and where the grim specter of want,
filth and misery, stalked, dealing death, crime and agony, winning each
moment recruits for the devil’s army in hell.
I’ll not allow that rich woman over there to plead not guilty, upon
the ground of ignorance of these conditions. She knows all about it,
and yet to get those latest diamonds that sparkle on her breast, she
made her husband sell the farm, whereon his honest old rustic parents
were buried. Over there sits a woman, who is unfaithful in heart to her
marriage vows, and who yet lacks the courage to follow the bent of her
intense longing, for fear of what her small world would say. In all of
this artificial brilliance, there are masks and faces as false as many
of the hearts which rich attire conceals.
Public-domain text, read in full here on John Shaqi.
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