"A Modern Hercules," the Tale of a Sculptress — John Shaqi
"A Modern Hercules," the Tale of a SculptressWinstock, Melvin G.
General
"A Modern Hercules," the Tale of a Sculptress
Winstock, Melvin G.
American fiction -- 19th century
“Nothing, sir. I hate you strongly. If these were the days of Lucretia
Borgia, without compunction I would have you killed. The world can do
without you.”
“And yet,” said he, softly, as though consoled by the thought, “I have
given up all for you.”
“I have seen nothing that you have done,” she said, sternly, “and more,
I ask nothing of you, save that you walk your way, and leave me in
peace to go mine.”
“You know, Ouida,” said the man of strength, “that I, too, am
ambitious; that men and women showered upon me their plaudits; that I
had won a strong place in this great city. I have given up my church!”
She started in breathless amazement! “Sacrificed your wondrous future,
and for me?”
And simply he said: “The price of my sin to you.”
Then a deeper silence than ever before fell upon these two, and again
there was no speech between them.
“Now,” at length, he said, “I am ready to be sent forth with your cruel
scorn, following me even to the end of time.”
“I cannot bid you go thus,” she said, moved to pity. “Does the world
know of this?”
“Of the resignation, yes; of the reason, no.”
“Then I abjure you, reveal nothing. Leave me!” she cried.
“And may I come again?” eagerly he pleaded.
“Yes,” she said, the power of resistance gone, “when I have had time to
think.”
He left with a sense of mighty triumph in his soul.
CHAPTER XII.
OUIDA PROPOSES MARRIAGE.
Even the preacher’s passion, the knowledge of his awful sacrifice,
did not rob the artist of her inspiration for work. Proceeding to the
studio, filled with treasures of brush and mallet, she found Paul, the
model, and Milton, the student.
“Any commands for me,” said Milton, with deference and respect.
“Yes,” said Ouida, “you may assist in arranging the pose.”
Milton, for a few moments, attempts to place the model in the attitude,
consistent with the conception of Ouida.
“Ah,” reflected Ouida, aloud, “if I can but tonight imprint on stone
the image that long has haunted me, I’ll wring from men the unwilling
confession that truly in my veins flows the blood of Michael Angelo.”
Her unconscious talk was interrupted by Paul, who almost sullenly said:
“I do not care to work tonight.”
“Hush!” said Ouida, “breathe not. I would not have had you fail me
tonight for a brace of kingdoms.”
She then crosses over to where Paul and Milton stood, saying to the
latter: “Nay, not thus. Let him stand and look as though with mighty
power he bears the weighty earth upon his massive shoulders. There,
that is better. Go. Leave me, Milton; I would be alone with him.”
Public-domain text, read in full here on John Shaqi.
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