mother; and, as Olive Halleck said, she was always portioning or burying
the sisters of her second-girls. She was in all sorts of charities, but she
was apt to cut her charities off with her pleasures at any moment, if she
felt poor. She was fond of dress, and went a great deal into society: she
suspected men generally of wishing to marry her for her money, but with
those whom she did not think capable of aspiring to her hand, she was
generously helpful with her riches. She liked to patronize; she had long
supported an unpromising painter at Rome, and she gave orders to desperate
artists at home.
The world had pretty well hardened one half of her heart, but the other
half was still soft and loving, and into this side of her mixed nature she
cowered when she believed she had committed some blunder or crime, and came
whimpering to Olive Halleck for punishment. She made Olive her discipline
partly in her lack of some fixed religion. She had not yet found a religion
that exactly suited her, though she had many times believed herself about
to be anchored in some faith forever.
She was almost sorry that she had put her resolution in effect when she
rang at the door, and Marcia herself answered the bell, in place of the one
servant who was at that moment hanging out the wash. It seemed wicked to
pretend to be showing this pretty creature a social attention, when she
meant to palm off a hollow imitation of society upon her. Why should she
not ask the very superfinest of her friends to meet such a brilliant
beauty? It would serve Olive Halleck right if she should do this, and leave
the Hallecks out; and Marcia would certainly be a sensation. She half
believed that she meant to do it when she quitted the house with Marcia's
promise that she would bring her husband to tea on Wednesday evening, at
eight; and she drove away so far penitent that she resolved at least to
make her company distinguished, if not fashionable. She said to herself
that she would make it fashionable yet, if she chose, and as a first move
in this direction she easily secured Mr. Atherton: he had no engagements,
so few people had got back to town. She called upon Mrs. Witherby,
needlessly reminding her of the charity committees they had served on
together; and then she went home and actually sent out notes to the
plainest daughter and the maiden aunt of two of the most high-born families
of her acquaintance. She added to her list an artist and his wife, (“Now
I shall _have_ to let him paint me!” she reflected,) a young author whose
book had made talk, a teacher of Italian with whom she was pretending to
read Dante, and a musical composer.
Public-domain text, read in full here on John Shaqi.
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