Olive came late, as if to get a whole effect of the affair at once; and her
smile revealed Clara's failure to her, if she had not realized it before.
She read there that the aristocratic and aesthetic additions which she had
made to the guests Olive originally divined had not sufficed; the party
remained a humbug. It had seemed absurd to invite anybody to meet two such
little, unknown people as the Hubbards; and then, to avoid marking them as
the subjects of the festivity by the precedence to be observed in going out
to supper, she resolved to have tea served in the drawing-room, and to make
it literally tea, with bread and butter, and some thin, ascetic cakes.
However sharp he was in business, Mr. Witherby was socially a dull man; and
his wife and daughter seemed to partake of his qualities by affinition and
heredity. They tried to make something of Marcia, but they failed through
their want of art. Mrs. Witherby, finding the wife of her husband's
assistant in Miss Kingsbury's house, conceived an awe of her, which Marcia
would not have known how to abate if she had imagined it; and in a little
while the Witherby family segregated themselves among the photograph albums
and the bricabrac, from which Clara seemed to herself to be fruitlessly
detaching them the whole evening. The plainest daughter and the maiden aunt
of the patrician families talked to each other with unavailing intervals of
the painter and the author, and the radical clergyman and his wife were
in danger of a conjugal devotion which society does not favor; the
unfashionable sister of the fashionable artist conversed with the young
tutor and the Japanese law-student whom he had asked leave to bring with
him, and whose small, mouse-like eyes continually twinkled away in pursuit
of the blonde beauty of his hostess. The widow was winningly attentive,
with a tendency to be confidential, to everybody. The Italian could not
disabuse himself of the notion that he was expected to be light and
cheerful, and when the pupil of the Conservatory sang, he abandoned himself
to his error, and clapped and cried bravo with unseemly vivacity. But he
was restored to reason when the composer sat down at the piano and
played, amid the hush that falls on society at such times, something from
Beethoven, and again something of his own, which was so like Beethoven that
Beethoven himself would not have known the difference.
Public-domain text, read in full here on John Shaqi.
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