It comes of taking all the value out of the past and present, in order to put it into the future. And then you _don't_ put it there! You can't! It evaporates somehow, in the process. Where is it then? Well, I believe it's always there, in life, and in every kind of life. It's there all the time, in all the things you condemn. Of course the things really are bad that you say are bad. But they're so good as well! I mean--well, the other day I read one of those dreadful articles--at least, of course they're very useful I suppose--about the condition of the agricultural labourer. Well, then I took a ride in the country, and saw it all in its setting and complete, with everything the article had left out; and it wasn't so bad after all. I don't mean to say it was all good either, but it was just wonderful. There were great horses with shaggy fetlocks resting in green fields, and cattle wading in shallow fords, and streams fringed with willows, and little cheeping birds among the reeds, and larks and cuckoos and thrushes. And there were orchards white with blossom, and little gardens in the sun, and shadows of clouds brushing over the plain. And the much-discussed labourer was in the midst of all this. And he really wasn't an incarnate grievance! He was thinking about his horses, or his bread and cheese, or his children squalling in the road, or his pig and his cocks and hens. Of course I don't suppose he knew how beautiful everything was; but I'm sure he had a sort of comfortable feeling of being a part of it all, of being somehow all right. And he wasn't worrying about his condition, as you all worry for him. I don't mean you aren't right to worry, in a way; except that no one ought to worry. But you oughtn't to suppose it's all a dreadful and intolerable thing, just because you can imagine something better. That, of course, is only one case; but I believe it's the same everywhere; yes, even in the big cities, which, to my taste, look from outside much more repulsive and terrible. There's a quality in the inevitable facts of life, in making one's living, and marrying and producing children, in the ending of one and the beginning of another day, in the uncertainties and fears and hopes, in the tragedies as well as the comedies, something that arrests and interests and absorbs, even if it doesn't delight. I'm not saying people are happy; sometimes they are and sometimes they aren't. But anyhow they are interested. And life itself is the interest. And that interest is perennial, and of all ages and all classes. And if you leave it out you leave out the only thing that counts. That's why ideals are so empty; just because, I mean, they don't exist. And I assure you--now I'm going to confess--that often, when I come away from some meeting or from reading some dreadful article on social reform, I feel as if I could embrace everything and everyone I come across,