A modern trio in an old townHaviland-Taylor, Katharine
General
A modern trio in an old town
Haviland-Taylor, Katharine
Americans -- Italy -- Fiction; Florence (Italy) -- Fiction; Young women -- Fiction
It had begun early in May on a rainy day when I had spilled fudge
right in the middle of the front breadth of my one good dress. I felt
dreadfully about it, because Mother is always asking me to wear an
apron, and she works so hard to keep us looking nice that the idea
of making her more work made _me_ miserable. But there the fudge
was, spreading over the floor, with the treacherous pan handle, that
had made me knock it off, looking as mild and blameless as the twins
after they have been eating pink and yellow candy bananas (these are
forbidden) and there I stood looking down miserably at the front of my
skirt and wondering what to do.
Well, I remember I murmured, “I might as well scrape it up, and get
out of this--” and so I got a palette knife and scraped the top layer
of fudge off the floor for the twins--who don’t care at all what has
happened to any fudge as long as it happens to come to them--and then
I scraped my dress, and sponged it a little, and then--miserable and
feeling weighted--went up to the third floor where I sleep in the same
room with Roberta, and got into my old, faded pink lawn.
I hated that lawn dress, and it helped me to wear it while I waited for
Mother who was down town buying Ferris waists and garter elastic and
bone buttons and dish towel material and all those things mothers buy
at least once a month, and of course I needed to see mother--as every
one of us always needs her when we have been into mischief!
I knew she would say, “Never mind, honey, we’ll fix it in no time! I
have more goods and I’ll slip in a new front breadth before you can say
‘Jack Robinson!’” And I knew that I would feel humble and mean because
of her being so nice, but cleared up too, and that I would slide up to
her, and lay my face against her shoulder, and say, “Oh, _Mother_,” in
a tight way, because thinking of how wonderful she is, and how much too
good for us, always makes me want to cry, and I would rather die than
cry.
The only time when I ever did cry without shame was when my favorite
pitcher was expelled, and most unjustly, from _The Oil City League_.
However, to get on, I went down stairs, and watered the plants and
dusted and did all those things I never do while feeling well mentally,
and then I sat down and played the piano.
I didn’t play anything that echoed my mood but I played a dancing, gay,
bright thing. I believe most people save the sad ones for those moments
when they _want_ to feel sentimental, or are not _afraid_ of being sad.
Anyway I played this thing which sounded as if gipsies might dance to
it in the heart of a summer day, and I played it, I believe, fairly
well.
After I finished it I sat idle, my hands on the piano keys, feeling
even more depressed than before, and it was into this moment of
dreariness that the fairy godmother stepped.
Public-domain text, read in full here on John Shaqi.
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