A modern trio in an old townHaviland-Taylor, Katharine
General
A modern trio in an old town
Haviland-Taylor, Katharine
Americans -- Italy -- Fiction; Florence (Italy) -- Fiction; Young women -- Fiction
“You are not to play maid to Leslie; run ribbons in her
clothes, errands for her, or answer her many and various
whims. No doubt this particular interest will last about two
or three weeks, and during that time I insist that you go your
own way in complete independence and remember you are under no
obligation to a girl who is--I am sorry to say--both spoiled
and lazy.
“Love to you, dear child, and the best of luck with Signor
Paggi; I--I know--am going to live to be even more proud of you
than I am at this moment!
“Always affectionately and devotedly your friend,
“SHEILA PARRISH.”
and then the date. I thought it was a nice letter and I read it several
times and then I tore it up in tiny pieces and sat down to answer
it, and to assure Miss Sheila, without rapping on wood--and it never
_hurts_ to rap on wood!--that I knew that everything would be all right.
Lunch came right in the middle of my writing, and after lunch I went
to one of the practice rooms--which were way down the hall--and played
for a while. Then I finished my letter, and decided I would go out and
post it, which worried Miss Julianna, whom I met in the hall.
“No,” she said, shaking her head hard, “You get lost.”
“But the Italians are awfully easy pointers,” I said--I had learned
even then that they wave their hands a lot--“and as long as they can do
that, and I can say ‘Piazza Indipendenza’ and ‘Pension Dante’ I guess
I’ll get along all right; you see how it would work--”
“Yes,” she answered, “may-_be_, but thees Meester Wake, he take you
soon? I theenk better to take the small walk first--please?”
And because she looked anxious, I said, “All right,” and smiled at her
and then said, “Good-by,” and started down the stairs.
These were of stone, and the banisters made of twisted iron, and the
walls were, like most of the other walls, of painted or frescoed
plaster. The hall was cold and draughty as well as dark, and so quiet
that every step I took echoed loudly, and so, when I stepped out into
the warmth and light and noise of the street, the contrast was complete.
I blinked a moment before I started, and then I drew a deep breath
because--well, it made you _feel_ that way!
As in Genoa, I don’t remember half I saw, but I do remember the
_different_ things, and the sort of things that I never could have seen
in a Pennsylvania town of fifteen thousand people that is surrounded
by hills with oil wells on them.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account