A modern trio in an old townHaviland-Taylor, Katharine
General
A modern trio in an old town
Haviland-Taylor, Katharine
Americans -- Italy -- Fiction; Florence (Italy) -- Fiction; Young women -- Fiction
To people who only know churches in America, churches in Italy won’t
be understood, for Americans go to church stiffly, and then hurry off
criticizing the sermon or complaining about the hymns that were sung;
they never would think of standing around to talk in church the way the
Italians do; or think of going into church carrying a live rooster by
the feet, or of sitting down in the back of a church to eat a loaf of
black bread and a slice of orange-colored cheese. But the Italians do
this, and all sorts of informal things, and it does make the churches
seem very home-like and warm, and it’s nice to go in them. I wandered
around, and I even thought of eating a cream puff, but I decided I
wouldn’t because I hadn’t been brought up to it, and because it would
spoil my dinner and because cream puffs sometimes squeeze out when you
bite and I had on my best suit, so I carried them in that tender way
that a person carries cream puffs and enjoyed the real Italy that one
finds _in_ the churches.
There was a soldier from the ranks talking with his mother--I heard him
call her “Madre mia”--which means “Mother of mine,” and she smiled up
at him until her face looked like a little winter apple--it was so full
of wrinkles--and kept her hand on his arm which she kept patting.
Near them, on her knees by a confessional--which is a little box that
looks like a telephone booth but really holds a Priest who _tries_ to
help you, instead of something that squeaks out, “The party doesn’t
_an_swer,”--was another sort of Italian, a woman who was beautifully
dressed, and behind her was her maid who wore the gay costume of the
Roman peasant and who carried the beautiful lady’s little white dog.
Officers stood in groups chatting. Others came, dropped to their knees
a moment, crossed themselves, and then joined them.
And a shabby old man with a lump on his back came in, got down to his
knees very stiffly, and there looked at the altar for a long, long time
as his lips moved. I don’t know why that made my throat feel cramped,
because he was getting help, and for that moment all of the big church
was his, and his God was close to him, I know. But I did feel a little
funny, and so I hurried on, to look at a statue by a man named Michael
Angelo, who died nearly four hundred years ago, but whose work is still
in style.
After that I watched a little boy and girl who were sitting on a
kneeling chair, listened to the Priests, who were having a service up
by the main altar, and then I went out.
I had been inside quite a little while, I knew, after I saw the outdoor
light, for it was much darker, and the rain less a rain and more a
fog. The people who hurried across the shining square with their funny
flat umbrellas, looked like big black toadstools, and all the lights
reflected in the puddles, and the bright windows were hazed.
Public-domain text, read in full here on John Shaqi.
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