"I'm certain it was her. Certain. She was far away across those
gardens near here--and before I had recovered from my amazement she
had gone! But it was Mary."
He takes my arm. "You know I did not understand this," he says. "I
did not really understand that when you said Utopia, you meant I was
to meet her--in happiness."
"I didn't."
"It works out at that."
"You haven't met her yet."
"I shall. It makes everything different. To tell you the truth I've
rather hated this Utopia of yours at times. You mustn't mind my
saying it, but there's something of the Gradgrind----"
Probably I should swear at that.
"What?" he says.
"Nothing."
"But you spoke?"
"I was purring. I'm a Gradgrind--it's quite right--anything you can
say about Herbert Spencer, vivisectors, materialistic Science or
Atheists, applies without correction to me. Begbie away! But now you
think better of a modern Utopia? Was the lady looking well?"
"It was her real self. Yes. Not the broken woman I met--in the real
world."
"And as though she was pining for you."
He looks puzzled.
"Look there!" I say.
He looks.
We are standing high above the ground in the loggia into which our
apartments open, and I point across the soft haze of the public
gardens to a tall white mass of University buildings that rises with
a free and fearless gesture, to lift saluting pinnacles against the
clear evening sky. "Don't you think that rather more beautiful
than--say--our National Gallery?"
He looks at it critically. "There's a lot of metal in it," he
objects. "What?"
I purred. "But, anyhow, whatever you can't see in that, you can, I
suppose, see that it is different from anything in your world--it
lacks the kindly humanity of a red-brick Queen Anne villa residence,
with its gables and bulges, and bow windows, and its stained
glass fanlight, and so forth. It lacks the self-complacent
unreasonableness of Board of Works classicism. There's something in
its proportions--as though someone with brains had taken a lot of
care to get it quite right, someone who not only knew what metal can
do, but what a University ought to be, somebody who had found the
Gothic spirit enchanted, petrified, in a cathedral, and had set it
free."
"But what has this," he asks, "to do with her?"
"Very much," I say. "This is not the same world. If she is here, she
will be younger in spirit and wiser. She will be in many ways more
refined----"
"No one----" he begins, with a note of indignation.
Public-domain text, read in full here on John Shaqi.
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