A moment of madness, and other stories (vol. 1 of 3)Marryat, Florence
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A moment of madness, and other stories (vol. 1 of 3)
Marryat, Florence
English fiction -- 19th century; Short stories, English
‘I cannot thoroughly enjoy myself when I know my pleasure must come to an
end. When I am most happy, I remember that in a few weeks it will all be
over, and we shall be back in Blue Street, and you down at Tresham Court
with your wife and family.’
‘Don’t talk of it please,’ says Sir Roland with a shudder.
‘_Why?_’ asks Miss Moore innocently; ‘don’t you love little children?’
‘Not particularly. Do you?’
‘I don’t care for most people’s children, but I should for yours.’
‘You are very good to say so’, replies Sir Roland: but he knows they are
treading on dangerous ground, and the subject had better be dropped.
As he lies in his berth that night, and thinks over the events of the
day, he remembers how his wife told him before their marriage that she
disliked children, and he had twitted her with the fact on seeing her
devotion to their firstborn. And he recalls how she had looked into his
face with her large blue eyes—so clear and lovely and loving as they were
in those days—and whispered, ‘But this is _yours_, Roland.’ There is
something like a tear in Sir Roland Tresham’s eye as he turns uneasily
in his berth, and thinks how those happy days have faded; but it is of
Juliet, and not of Mabel, he dreams as he falls asleep. The Honourable
Mrs Carnaby-Hicks sees the flirtation going on between her niece and
her brother, but does not concern herself in the matter. Miss Moore
knows what she is about, and is perfectly able to take care of herself;
indeed, Mrs Carnaby-Hicks thinks she can already discern the instinct by
which the young lady is guided. But Sir Roland, who can only interpret
her words and glances by his own lights, believes himself to be on the
verge of a precipice, and yet has not the moral courage to fly from a
temptation that is so flattering to his vanity. Mabel’s chief weapon is
melancholy. She professes melancholy whenever it occurs to her, until Sir
Roland is forced to demand the reason of her serious looks.
‘How can you ask?’ she says one evening—the first of their arrival in
Venice—‘when you know that auntie has asked Lord Ernest Freemantle to
join our party to-morrow?’
‘What difference will that make to us?’
‘Why, will he not expect to be always by my side, and break in upon the
pleasant _têtes-à-tête_ we have had together?’
‘Have they been so _very_ pleasant to you then, Mabel?’
‘Oh, Sir Roland, cannot you judge of my feelings by your own?’
‘If I did that—’ he commences fervently, but there he stops. The vision
of two blue eyes, dimmed with tears, rises before him, and he stamps the
temptation down.
‘Whatever I may feel,’ he says to himself afterwards, ‘I will not allow
my tongue to turn traitor,’ and so Miss Moore is disappointed of her
answer.
Letters came to him frequently from his wife—long letters, in which she
gives him a full account of her friendship with Sir Ralph’s widow, but
not a word of the way in which she is managing the household.
Public-domain text, read in full here on John Shaqi.
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