A moment of madness, and other stories (vol. 1 of 3)Marryat, Florence
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A moment of madness, and other stories (vol. 1 of 3)
Marryat, Florence
English fiction -- 19th century; Short stories, English
‘My _darling_,’ he says emphatically, ‘why cannot we end all this misery,
and live for each other from this time forward?’ But as he speaks,
the gondoliers alter their chant, and strike up a little Neapolitan
barcarolle. It is a simple plaintive air, without much merit in itself,
but the last time Sir Roland heard it, it came from Juliet’s lips as
she was hushing a fractious child to rest. In a moment the past scene
rises before him. He can see his wife’s drooping figure, the sad look in
her eyes; can hear the faltering tones of her weary voice. He recalls,
in fact, the mother of his children, the woman who has borne, however
impatiently, the burden and heat of the day with him; and all the best
part of the man’s nature rises up to condemn his present faithless action.
‘God in heaven!’ he exclaims aloud; ‘what am I saying and doing? Mabel,
forgive me! It was the madness of a moment. It shall never be repeated.’
But he has said the words, and they are not to be unsaid. Miss Moore
enjoys the situation. It appeals to her romantic proclivities, and she
clings to him tightly even whilst she murmurs.
‘Oh no; you mustn’t say such things to me. It is very, very wrong. But,
Roland, to know you love me atones for everything. I can die happy now.’
‘Indeed, I had no right to speak to you in such a manner, but your tears
made me lose sight of prudence. Mabel, promise me that you will forget
what I said.’
‘Don’t ask me that, it will be so sweet to remember,’ she says, still
clinging to him. He tries gently to disengage himself.
‘Sit back on your seat, there’s a good girl. These fellows are looking at
us. Mabel, try and be calm. We must never mention this subject again. It
is too painful.’
‘But why should we deny ourselves the poor delights of memory, since it
is all that is left?’
‘We must stamp it out. It can lead to no good for either of us; and for
you, perhaps, to irreparable harm. I am not a Trojan in virtue, Mabel;
you must not try me too hard.’
‘But you will love me always, Roland, will you not?’
What can he say? He knows already that he does not love her at all. But
he is a man, and she is a woman, and he does as many other men would
do—he swears he shall never cease to care for her.
‘If I were free!’ he murmurs; ‘but you see how it is, my darling. I am
bound hand and foot, and we never can be anything more than we are to one
another. I must not quite forget my poor children.’
‘But we shall be friends always, shall we not?’
‘The very best and closest of friends, but we mustn’t trust ourselves
alone again. You are too lovely, Mabel, and I—I am too weak. I am sure
you must see the reason of what I say?’
‘Yes; yes. But let us enjoy this one last evening together. Don’t go home
just yet. Remember it is for the last time.’
Public-domain text, read in full here on John Shaqi.
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