A moment of madness, and other stories (vol. 2 of 3)Marryat, Florence
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A moment of madness, and other stories (vol. 2 of 3)
Marryat, Florence
English fiction -- 19th century; Short stories, English
The new comer, a handsome girl of about the same age as Lizzie, was the
only daughter of Farmer Murray, of Mavis Farm. Spoilt, as one girl
amongst half-a-dozen boys is sure to be, it is not to be wondered at
that Rosa Murray was impetuous, saucy, and self-willed. For, added to
her being her father’s darling, and not knowing what it was to be denied
anything in his power to give her, Miss Rosa was extremely pretty, with
grey eyes and dark hair, and a complexion like a crimson rose. A rich
brunette beauty that had gained for her the title of the Damask Rose
of Corston, and of which no one was better aware than herself. Many a
gentleman visitor at Rooklands had heard of the fame of the farmer’s
pretty daughter, and ridden over to Corston on purpose to catch a glimpse
of her, and it was beginning to be whispered about the village that no
one in those parts would be considered good enough for a husband for
Miss Rosa, and that Mr Murray was set upon her marrying a gentleman
from London, any gentleman from ‘London’ being considered by the simple
rustics to be unavoidably ‘the glass of fashion and the mould of form.’
Mr Murray was termed a ‘gentleman farmer’ in that part of the county,
because he lived in a substantially-built and well-furnished house, and
could afford to keep riding-horses in his stable and sit down to a
dinner spread on a tablecloth every day. But, in reality, his father had
commenced life as a ploughman in that very village of Corston, and it was
only necessary to bring Farmer Murray into the presence of Lord Worcester
and his fashionable friends to see how much of a ‘gentleman’ he was.
He had made the great mistake, however, of sending his children to be
educated at schools above their station in life, the consequence of which
was that, whilst their tastes and proclivities remained plebeian as his
own, they had acquired a self-sufficiency and idea of their merits that
accorded ill with their surroundings and threatened to mar their future
happiness. The Damask Rose of Corston was the worst example amongst them
of the evil alluded to. She had unfortunately lost her mother many years
before, so was almost completely her own mistress, and the admiration
her beauty excited was fast turning her from a thoughtless flirt into a
heartless coquette, the most odious character any woman can assume.
But with her own sex, and when it suited her, Rosa Murray could be
agreeable and ingenuous enough, and there was nothing but cordiality in
the tone in which she continued her conversation with Lizzie Locke.
‘What are you doing out here by yourself, child? You really ought not to
go about alone. It can’t be safe.’
‘Oh, it’s safe enough, Miss Rosa. I’ve been used to find my way about
ever since I could walk. I’ve just come up from the marshes, and I was
going to take these cockles to Mavis Farm to see if the master would like
them for his breakfast to-morrow.’
Public-domain text, read in full here on John Shaqi.
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