But the loyal sympathy of the Belgians did not vent itself in words only. As soon as the death of their young prince was officially announced, black flags on the Belgian colours, smothered in crape, were displayed from the balconies of the principal houses, whilst the fronts of many of them were completely hung with funereal drapery, and most of the shops and all places of amusement were closed. The ships lying in the Belgian ports lowered their flags half-mast high, in sign of the general mourning; and all the principal families in Brussels, and most of the English residents appeared in black. The bells of the cathedral and other churches kept tolling at intervals during the first and succeeding days, to announce the melancholy news; all fêtes and public rejoicing were suspended, as well as private balls and concerts; and the ministerial conferences were adjourned. Meanwhile the body of the young prince, which had been watched ever since his death by the officers of the household, was placed in a triple coffin, lined with white silk, in the presence of the king and queen, the Archbishop of Malines, and several members of the royal household. This melancholy ceremony of bidding the last earthly adieu, is said to have been, as is natural, the occasion of a most heartrending scene. The young prince had received the insignia of the Chevalier de la Toison d’Or d’Espagne, shortly after the ascension of his father Leopold II. to the throne; and this insignia was placed on his coffin during the funeral obsequies—which were fixed to take place at eleven o’clock on Monday, the twenty-fifth; at which time also was to be performed (according to the rites of the Roman Catholic religion), in the church of Notre-Dame at Laeken, the first funeral mass for the repose of his innocent soul.