A moment of madness, and other stories (vol. 3 of 3)Marryat, Florence
General
A moment of madness, and other stories (vol. 3 of 3)
Marryat, Florence
English fiction -- 19th century; Short stories, English
Here we all unpack ourselves; and a buxom German landlady, with a kind,
motherly face, comes down the steps to greet us. She has received my
letter; the beds are all ready for us; the dinner will be on the table
in half-an-hour; we are to be pleased to enter, and make ourselves at
home. We _are_ very pleased; for we are dreadfully tired (not cold, for
the weather is unnaturally mild), and have not had anything substantial
to eat all the day. We climb up the steps of the hotel, which looks just
like a farmhouse abutting on the main street, and find ourselves in a
sanded room, containing a long wooden table, with benches either side of
it, and bearing evident reminiscences of smoking and drinking—in fact,
‘not to put too fine a point on it,’ the public tap-room—but where we
are met by the landlady’s two eldest daughters, Thérèse and Josephine,
who are beaming in their welcome. They usher us into a second room,
where the children scream at the sight of a table laid for dinner, and
the four corners of which bear bowls of whipped cream and custard, and
rosy Ardennes apples, and biscuits just out of the oven. The little
people want to begin at once, and cannot be brought to see the necessity
of washing their faces and hands first, or waiting till the meat and
potatoes shall be placed upon the table. Would Madame like to see the
_chambres-à-coucher_ at once? Madame saying yes, Thérèse catches up the
youngest child but one, and, preceded by Josephine, we enter first a
scullery, next a bricked passage, thence mount a most perilous set of
dark narrow stairs, and stumble into a long whitewashed corridor, which
terminates in a glass-door opening on to a garden. Here three doors
successively thrown open introduce us to our bedrooms; and the trunks
having been brought up the breakneck stairs, we take possession at once.
The little white-curtained beds are small, but beautifully clean, and
each one is surmounted by its eider-down quilt in a coloured cotton case.
Two little islands of carpet in a sea of painted boards represent the
coverings of the floors; and the washing-stands are only deal-tables, and
there are no chests of drawers; but we inhale the fresh, vigorous breeze
which is pouring through the windows (open even at that season), and
think of fever-infected Brussels, and are content. But though it is all
very nice and clean, we cannot possibly wash without water, nor dry our
hands without towels.
Public-domain text, read in full here on John Shaqi.
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