A moment of madness, and other stories (vol. 3 of 3)Marryat, Florence
General
A moment of madness, and other stories (vol. 3 of 3)
Marryat, Florence
English fiction -- 19th century; Short stories, English
We dress ourselves with the pleasurable anticipation of seeing new
things, however simple, and come downstairs to a breakfast-table, in its
way as plentifully spread as the dinner-table of the night before. We
have an abundance of milk,—so fresh from the cow that it is covered with
froth, and the jug which contains it is quite warm,—eggs, cold meat,
home-made bread in huge brown loaves, good butter, and strong clear
coffee. In fact, we come to the conclusion that our landlady knows how
to live, and we no longer marvel at the rosy cheeks and full forms of
Thérèse and Josephine, nor that Madame herself fills out her dresses in
such a magnificent manner.
E— has been for a stroll before breakfast, and brings back a report of
ruins on the high ground; he has already unpacked his sketch-books and
sharpened his pencils. We, not being walking encyclopædias, seize our
_Continental Bradshaw_, and find that the ruins are those of a castle in
which Lafayette was made prisoner by the Austrians in 1792.
As soon as breakfast is concluded, we rush off to see the ruined castle,
which stands on an eminence just above the hotel, and which our landlady
(who walks into our sitting-room and takes a chair in the most confiding
manner possible whenever she feels so inclined) informs us, although
not open to the public, belongs to a lady whose house is built on the
same ground, and who will doubtless allow us to look over it. We can
see the remains of the castle before we reach them, and decide that it
must have been uglier and less interesting when whole than now, having
been evidently designed with a view to strength rather than beauty. The
little winding acclivitous path which leads to it, bounded by a low wall
fringed with ferns and mosses, is perhaps the prettiest part of the
whole concern; but just as we have scaled it, and come upon the private
dwelling-house, our poetic meditations are interrupted by the onslaught
of half-a-dozen dogs (one of which is loose, and makes fierce snaps
at our unprotected legs), which rush out of their kennels at chains’
length, and bark so vociferously, that we feel we have no need to make
our presence known by knocking at the door. A child appears at it; and we
inquire politely if we may see the ruins, at which she shakes her head,
and we imagine she doesn’t understand our Parisian French.
Public-domain text, read in full here on John Shaqi.
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