A moment of madness, and other stories (vol. 3 of 3)Marryat, Florence
General
A moment of madness, and other stories (vol. 3 of 3)
Marryat, Florence
English fiction -- 19th century; Short stories, English
Toiling up the street again, and examining the shops as we go, I say
that, much as I like Rochefort, I do not advise any one to come here in
order to purchase their wedding _trousseau_, or lay in a stock of winter
clothing. We look in vain for something to buy in remembrance of the
place; but can see nothing out of the way, except it is a yellow teapot,
holding at the least four quarts, and with a curled spout to prevent the
tea coming out too fast, which must be almost necessary with such a load
of liquid. The teapot is delicious, and quite unique; but scarcely worth,
we think, the trouble of transportation. We have but just decided this
matter to our satisfaction when we come upon a ‘miscellaneous warehouse,’
upon whose front is painted ‘_Cartes pour les grottes de Rochefort_,’
and remember that we must see the famous grotto, and turn in to ask
the price of admission. Five francs a-head; children half-price. We
think the charge is high; but Monsieur C— (to whom the grotto belongs)
takes us into his house and shows us prints of the different views
of its interior, which fire our imagination to that degree, that we
decide at once to see it the next morning. We look over a book also in
which visitors to the grotto have written down their first impressions;
and these testimonials excite our curiosity still further. A Persian
describes himself as having been suddenly transported into fairyland; and
can liken the vast caverns to nothing but the palace of his great master
the Sultan, and the various forms assumed by the stalactites to those
of lovely houris grouped about him. A French poet, in rapturous verse,
compares the grotto to the enchanted halls of the Arabian Nights, and the
stalactites to ‘frozen tears.’ Every traveller declares the sight to have
been more wonderful and beautiful than anything he has ever seen before,
until we become quite sorry to think we must put off seeing it until
the morning; and our expectations are heightened by the rapid assurance
of Monsieur C— (who always keeps his hands moving, and never stops to
consider his commas), that it is ‘_trèsbeautrèsbeautrèsbeau_!’ However,
we agree to return the next day at eleven o’clock, when he promises the
guides shall be in readiness for us; and we go home to another excellent
dinner, the pleasure of which is only marred by the fact that Thérèse
_will_ make us use the same knives and forks for every course; and we
haven’t the strength of mind to resist.
Public-domain text, read in full here on John Shaqi.
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