"Whyn't ye dance?" he repeated. " Can't ye dance? Mebbe ye air
too good-like Sherd. Well, Easter kin, Hyar, Mart, come 'n' dance
with the gal. She air the best dancer in these parts."
Clayton had his hand upon Easter as though to forbid her. The
mountaineer saw the movement, and his face flamed; but before
he could speak, the girl pressed Clayton's arm, and, with an
appealing glance, rose to her feet.
That's right," said her father, approvingly, but with a look of
drunken malignancy toward Clayton. "Now," he called out, in a
loud voice, "I want this couple to have the floor, 'n' everybody to look on 'n' see what is dancin'. Start the fiddles, boys."
It was dancing. The young mountaineer was a slender, active
fellow, not without grace, and Easter seemed hardly to touch the
floor. They began very slowly at first, till Easter, glancing aside at
Clayton and seeing his face deepen with interest, and urged by the
remonstrance of het father, the remarks of the onlookers, and the
increasing abandon of the music, gave herself up to the dance. The
young mountaineer was no mean partner. Forward and back they
glided, their swift feet beating every note of the music; Faster
receding before her partner, and now advancing toward him, now
whirling away with a disdainful toss of her head and arms, and
now giving him her hand and whirling till her white skirts floated
from the floor. At last, with head bent coquettishly toward her
partner, she danced around him, and when it seemed that she
would be caught by his outstretched hands she slipped from his
clasp, and, with burning cheeks, flashing eyes, and bridal wreath
showering its pink-flecked petals about her, flew to Clayton's side.
Mebbe ye don't like that," cried Hicks, turning to Raines, who had
been gravely watching the scene.
Raines said nothing in reply, but only looked the drunken man in
the face.
"You two," he continued, indicating Clayton with an angry shake
of his head, " air a-tryin' to spile ever'body's fun. Both of ye air too
high-heeled fer us folks. Y'u hev got mighty good now that ye air a
preacher," he added, with a drunken sneer, irritated beyond
endurance by Raines's silence and his steady look. "I want ye to
know Bill Hicks air a-runnin' things here, 'n' I don't want no
meddlin'. I'll drink right here in front o' ye "-holding a bottle
defiantly above his head-" 'n' I mean to dance, too, I warn ye now,"
he added, staggering toward the door, "I don't want no med-dlin'."
Easter had buried her face in her hands. Her mother stood near her
husband, helplessly trying to get him away, and fearing to arouse
him more. Raines was the most composed man in the room, and a
few moments later, when dancing was resumed, Clayton heard his
voice at his ear:
Public-domain text, read in full here on John Shaqi.
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