Then he poured forth a string of nebulous ideas:
"Murder and bloodshed, that may be! But amusing bloodshed, and comical
murder. Life is a burlesque catastrophe, a terrible comedy, the mask of
carnival over blood-stained cheeks. That is what life means to the
artist; the artist on the stage, and the artist in action."
Nanteuil uneasily sought a meaning in these confused phrases.
The actor continued excitedly:
"Life is yet another thing: it is the flower and the knife, it is to see
red one day and blue the next, it is hatred and love, ravishing,
delightful hatred, cruel love."
"Monsieur Chevalier," asked Constantin Marc in the quietest of tones,
"does it not seem to you natural to be a murderer, and do you not think
that it is merely the fear of being killed that prevents us from
killing?"
Chevalier replied in deep, pensive tones:
"Most certainly not! It would not be the fear of being killed that would
prevent me from killing. I have no fear of death. But I feel a respect
for the life of others. I am humane in spite of myself. I have for some
time past been seriously considering the question which you have just
asked me, Monsieur Constantin Marc. I have pondered over it day and
night, and I know now that I could not kill any one.'"
At this, Nanteuil, filled with joy, cast upon him a look of contempt.
She feared him no longer, and she could not forgive him for having
alarmed her.
She rose.
"Good evening; I have a headache. Good-bye till to-morrow, Monsieur
Constantin Marc." And she went out briskly.
Chevalier ran after her down the corridor, descended the stage staircase
behind her, and rejoined her by the stage doorkeeper's box.
"Felicie, come and dine with me to-night at our cabaret. I should be so
glad if you would! Will you?"
"Good gracious, no!"
"Why won't you?"
"Leave me alone; you are bothering me!"
She tried to escape. He detained her.
"I love you so! Don't be too cruel to me!"
Taking a step towards him, her lips curling back from her clenched
teeth, she hissed into his ear:
"It's all over, over, over! You hear me? I am fed up with you."
Then, very gently and solemnly, he said:
"It is the last time that we two shall speak together. Listen, Felicie,
before there is a tragedy I ought to warn you. I cannot compel you to
love me. But I do not intend that you shall love another. For the last
time I advise you not to see Monsieur de Ligny again, I shall prevent
your belonging to him."
"You will prevent me? You? My poor dear fellow!"
In a still more gentle tone he replied:
"I mean it; I shall do it. A man can get what he wants; only he must pay
the price."
CHAPTER V
Public-domain text, read in full here on John Shaqi.
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