Nanteuil laughed as she listened. She laughed because, being a woman,
she felt an inclination to laugh at physical uncomeliness or poverty;
because, referring everything to her own little world of actors and
actresses, each and every deformity described by the doctor reminded her
of some comrade of the boards, stamping itself on her mind like a
caricature. Knowing that she herself had a good figure, she delighted in
her own young body as she pictured to herself all these indignities of
the flesh. With a ringing laugh she crossed the dressing-room towards
the doctor, dragging with her Madame Michon, who was holding on to her
stay-laces as though they were reins, with the look of a sorceress being
whisked away to a witches' sabbath.
"Don't be afraid!" she said.
And she objected that peasant women, who never wore stays, had far
worse figures than town-bred women.
The doctor bitterly inveighed against the Western civilizations because
of their contempt for and ignorance of natural beauty.
Trublet, born within the shadow of Saint-Sulpice, had gone as a young
man to practise in Cairo. He brought back from that city a little money,
a liver complaint, and a knowledge of the various customs of humanity.
When at a ripe age, he returned to his own country, he rarely strayed
from his ancient Rue de Seine, thoroughly enjoying his life, save that
it depressed him a trifle to see how little able his contemporaries were
to realize the deplorable misunderstandings which for eighteen centuries
had kept humanity at cross-purposes with nature.
There was a tap at the door.
"It's only me!" exclaimed a woman's voice in the passage.
Felicie, slipping on her pink petticoat, begged the doctor to open the
door.
Enter Madame Doulce, a lady who was allowing her massive person to run
to seed, although she had long contrived to hold it together on the
boards, compelling it to assume the dignity proper to aristocratic
mothers.
"Well, my dear! How-d'ye-do, doctor! Felicie, you know I am not one to
pay compliments. Nevertheless, I saw you the day before yesterday, and I
assure you that in the second of _La Mere confidente_ you put in some
excellent touches, which are far from easy to bring off."
Nanteuil, with smiling eyes, waited--as is always the case when one has
received a compliment--for another.
Madame Doulce, thus invited by Nanteuil's silence, murmured some
additional words of praise:
"...excellent touches, genuinely individual business!"
"You really think so, Madame Doulce? Glad to hear it, for I don't feel
the part. And then that great Perrin woman upsets me altogether. It is a
fact. When I sit on the creature's knees, it makes me feel as if----You
don't know all the horrors that she whispers into my ear while we are on
the stage! She's crazy! I understand everything, but there are some
things which disgust me. Michon, don't my stays crease at the back, on
the right?"
Public-domain text, read in full here on John Shaqi.
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