It was true that a too brilliant light would sometimes give her a
headache. But she had just seen herself in the glass. With her
blue-tinted eyelids, her eyelashes smeared with a black paste, her
grease-painted cheeks, her lips tinted red in the shape of a tiny heart,
it seemed to her she looked like a painted corpse with glass eyes, and
she did not wish Ligny to see her thus.
While she was keeping her face in the shadow of the newspaper a tall,
lean young man entered the dressing-room with a swaggering gait. His
melancholy eyes were deeply sunken above a nose like a crow's beak; his
mouth was set in a petrified grin. The Adam's apple of his long throat
made a deep shadow on his stock. He was dressed as a stage bailiff.
"That you, Chevalier? How are you, my friend?" gaily inquired Dr.
Trublet, who was fond of actors, preferred the bad ones, and had a
special liking for Chevalier.
"Come in, everybody!" cried Nanteuil "This isn't a dressing-room; it's a
mill."
"My respects, none the less, Mme. Miller!" replied Chevalier, "I warn
you, there's a pack of idiots out in front. Would you believe it--they
shut me up!"
"That's no reason for walking in without knocking," replied Nanteuil
snappishly.
The doctor pointed out that Monsieur de Ligny had left the door open;
whereupon Nanteuil, turning to Ligny, said in a tone of tender reproach:
"Did you really leave the door open? But, when one comes into a room,
one closes the door on other people: it is one of the first things one
is taught."
She wrapped herself in a white blanket-cloak.
The call-boy summoned the players to the stage.
She grasped the hand which Ligny offered her, and, exploring his wrist
with her fingers, dug her nail into the spot, close to the veins, where
the skin is tender. Then she disappeared into the dark corridor.
CHAPTER II
Chevalier, having resumed his ordinary clothes, sat in a corner box,
beside Madame Doulce, gazing at Felicie, a small remote figure on the
stage. And remembering the days when he had held her in his arms, in his
attic in the Rue des Martyrs, he wept with grief and rage.
Public-domain text, read in full here on John Shaqi.
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