A Napa Christchild; and Benicia's Letters — John Shaqi
A Napa Christchild; and Benicia's LettersGunnison, Charles A.
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A Napa Christchild; and Benicia's Letters
Gunnison, Charles A.
Christmas stories
"Beautiful river rushing on,
Touched with light by the silver moon,
Grant me now this simple boon.
Let thy merry spirits come,
And elfin dancers with beating drum,
Here with me for the wild night long,
To dance and whirl with eldrich song
Till the moon shall faint and her light be gone."
Then running merrily to the other side nearer my window, she sung in the
same wild key, as she turned her face to the forest,
"Spirits of the black larch-wood
Come to-night to dance and sing,
Come and all thy flowers bring,
Come and gaily join our ring,
Come upon thy fleetest wing,
Come, oh come, ere the moon be fading."
The low chanting of the Monks ceased, and as I opened my window wider I
could hear, like the higher notes of an organ, voices rising from the
river and mingling in heavenly harmony; I could not at first catch the
words, but the sweet, divinely sweet strains came nearer and nearer, and
then with the same inexpressible gentleness, softly as if wafted from
the angelic chorus came the rich, low notes from the forest, like the
humming of bees, the sighing of hemlocks, or that sweet, strange sound
we ever hear in the ocean shell. The voices came nearer and I could hear
the wild, free words long before the singers were in the court.
"We are coming from the forest,
All laden with flowers,
With bright, crimson flowers
All sparkling with dew."
Then from the river rose the song:
"We come from the water
With bright, polished pebbles,
With white, glittering pebbles,
Our love-gift to you."
The singing now was in the very garden, but I could not see the singers,
though I knew that they were there, for the strange creature-image
whirled about the court, laughing and nodding on every side, while the
music grew each moment louder and wilder, when suddenly all was still,
and the image pausing in the middle of the court began with many odd
gestures this weird song:
"What am I? Who am I? Where did I come from?
What, who and where--well, no human knows;
Ye though my loved ones know what to answer,
My pale face ye follow wherever it goes.
My home's in the forest, my home's in the city,
Wherever the terror of loneliness lies,
And woe be to him who when out in the moonlight
Catches the glance of my soul-piercing eyes.
By day I am stone
By night I have breath,
And those whom I meet, know the sister of Death."
"Curse you!" I shrieked, leaning from the window, and all was gone; the
statue was in its niche again, the Maria Virgo Sancta. I staggered back
from the window and was received almost breathless from excitement in
the arms of Brother Andreas who entered the room just then.
Public-domain text, read in full here on John Shaqi.
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