A New Medley of MemoriesHunter Blair, David Oswald, Sir
Religion
A New Medley of Memories
Hunter Blair, David Oswald, Sir
Hunter Blair, David Oswald, Sir, 1853-1939
kissed his ring as I took my leave; "they give us wine at table when
there is a guest, and I do like a glass of sherry with my lunch." The
old bishop lived for nearly four years longer, but I never saw him
again.
I was delighted with a visit I paid a little later to Hawkesyard
Priory, the newly acquired property {23} of the Dominicans in
Staffordshire: a handsome modern house (now their school) in a
finely-timbered park, and close by the new monastery, its spacious
chapel, with carved oak stalls, a great sculptured reredos recalling
All Souls or New College, and an organ which had been in our chapel at
Eton in my school days. I made acquaintance here with the young
Blackfriar who was to matriculate in the autumn at our Benedictine
Hall--the first swallow, it was hoped, of the Dominican summer, the
revival of the venerable Order of Preachers _in gremio
universitatis_.[5]
A kind and musical friend[6] insisted on carrying me off this August to
Munich, to attend the Mozart-Wagner festival there. We stayed at the
famous old "Four Seasons," and I enjoyed renewing acquaintance, after
more than thirty years, with a city which seemed to me very like what
it was in 1871. The Mozart operas (at the small Residenz-theater) were
rather disappointing. The title-rôle in _Don Giovanni_ was perfectly
done by Feinhals; but Anna and Elvira squalled, not even in tune. The
enchanting music of Zauberflöte hardly compensated for the tedious
story; and no one except the {24} Sarastro (one Hesch, a Viennese) was
first-class. The Wagner plays, in the noble new Prinz Regenten
theatre, pleased me much more: Knote and Van Rooy were quite excellent,
and Feinhals even better as the Flying Dutchman than as Don Giovanni.
I heard more Mozart on the Assumption in our Benedictine basilica of
St. Boniface--the Twelfth Mass, done by a mixed choir in the gallery!
I preferred the Sunday high mass at the beautiful old Frauenkirche,
with its exquisite stained glass, and its towers crowned with the
curious renaissance cupolas which the Müncheners first called "Italian
caps," and later "masskrüge," or beer-mugs. I admired the attention
and devotion of the great congregation at the cathedral: a few stood,
nearly all knelt, throughout the long service, but no one seemed to
think of sitting.
Public-domain text, read in full here on John Shaqi.
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