particular terms, where I judged, that etymology would be concerned. For I was afraid, however just this method might appear, and warrantable, that it would seem too novel to be universally put in practice. My purpose has been throughout to give a new turn to antient history, and to place it upon a surer foundation. The mythology of Greece is a vast assemblage of obscure traditions, which have been transmitted from the earliest times. They were described in hieroglyphics, and have been veiled in allegory: and the same history is often renewed under a different system, and arrangement. A great part of this intelligence has been derived to us from the Poets; by which means it has been rendered still more extravagant, and strange. We find the whole, like a grotesque picture, blazoned high, and glaring with colours, and filled with groups of fantastic imagery, such as we see upon an Indian screen; where the eye is painfully amused; but whence little can be obtained, which is satisfactory, and of service. We must, however, make this distinction, that in the allegorical representations of Greece, there was always a covert meaning, though it may have escaped our discernment. In short, we must look upon antient mythology as being yet in a chaotic state, where the mind of man has been wearied with roaming over the crude consistence without ever finding out one spot where it could repose in safety. Hence has arisen the demand, που στωι, which has been repeated for ages. It is my hope, and my presumption, that such a place of appulse may be found, where we may take our stand, and from whence we may have a full view of the mighty expanse before us; from whence also we may descry the original design, and order, of all those objects, which by length of time, and their own remoteness, have been rendered so confused and uncertain. * * * * * PREFACE TO THE THIRD VOLUME OF THE QUARTO EDITION, BEGINNING AT VOL. iv. PAGE 1. IN THIS EDITION.