"Not yet," Magelone replied. "Thus far grandpapa has only informed us
both, Johann Leopold and myself, of his desire. He called us into his
study and addressed us very solemnly."
"And you?" Johanna asked.
"Johann Leopold bowed, as he always does, like an automaton,--_cela
n'engage à rien_,--and I suppose I smiled. But what does it matter what
we say? You may be sure that if we employed all the eloquence in the
world to combat grandpapa's arrangements it would avail nothing. At
Christmas, when all the noble family are assembled here, the betrothal
will take place, and at the hour that grandpapa shall appoint we shall
stand before the altar and exchange rings whether we will or not."
"That I cannot understand," said Johanna.
"You will understand it when you have once seen how terrible grandpapa's
anger is," Magelone rejoined,--"when he frowns, and his eyes flash from
beneath his bushy white eyebrows, and his voice thunders and roars. It
occurs but rarely, but the terror of it is in our very blood, or has
been taught us from childhood, I cannot tell which."
"Did you ever see grandpapa so?" asked Johanna.
"Only once, when Otto, who is very hasty, had boxed the forester's ears.
Grandpapa roared out that so to treat an honest man, who could not
demand satisfaction for the insult, was the act of a blackguard; Otto
was not worthy to bear the name of Dönninghausen. As I tell it it seems
nothing, but when grandpapa flew out at the poor boy I really thought he
would have felled him to the earth, and every one present--it happened
during the charmingly social hour after breakfast--was petrified with
horror."
"But grandpapa was right!" exclaimed Johanna. "Cousin Otto must have
acknowledged that, for he speaks of him with the greatest reverence, and
calls him a nobleman in the fullest sense of the word."
Magelone shrugged her shoulders. "My dear child, that is the
Dönninghausen craze. They all imagine that because they bear this name
they are superior to all other human beings; and since they are not
so,--I mean the younger generation,--they fall down and worship the old
gentleman, in whom the family craze has become flesh and blood. But what
have we to do with that?" she went on, jumping up and throwing her arms
around Johanna. "You are not weighted with the sacred name. I have, for
a while at least, thrown it aside, and I only wish we could really and
truly enjoy life. There it goes again!" she added, with an expression of
comic despair,--"that dreadful bell, for the second breakfast, and then
four vacant hours before it rings again to call us to dinner. Poor
Johanna! Day after day passes here, each the exact counterpart of these
last twenty-four hours, year out, year in, and there is nothing for it
but to lament with Heine's Proserpine,--
''Mid corpses pale,
While Lemurs wail,
To grieve away my youthful days.'"
Public-domain text, read in full here on John Shaqi.
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