Russia -- Social life and customs -- Fiction; Russian fiction -- Translations into English
"Here I am at home, here I have got back,"--said Lavretzky to himself,
as he entered the tiny anteroom, while the shutters were opened, one
after the other, with a bang and a squeak, and the daylight penetrated
into the deserted rooms.
XIX
The tiny house where Lavretzky had arrived, and where, two years
previously, Glafira Petrovna had breathed her last, had been built in
the previous century, out of sturdy pine lumber; in appearance it was
decrepit, but was capable of standing another fifty years or more.
Lavretzky made the round of all the rooms, and, to the great
discomfiture of the aged, languid flies, with white dust on their backs,
who were sitting motionless under the lintels of the doors, he ordered
all the windows to be opened; no one had opened them since the death of
Glafira Petrovna. Everything in the house remained as it had been: the
small, spindle-legged couches in the drawing-room, covered with glossy
grey material, worn through and flattened down, vividly recalled the days
of Katherine II; in the drawing-room, also, stood the mistress's
favourite chair, with a tall, straight back, against which, even in her
old age, she had not leaned. On the principal wall hung an ancient
portrait of Feodor's great-grandfather, Andrei Lavretzky; the dark,
sallow face was barely discernible against the warped and blackened
background; the small, vicious eyes gazed surlily from beneath pendent,
swollen lids; the black hair, devoid of powder, rose in a brush over the
heavy, deeply-seamed brow. On the corner of the portrait hung a wreath of
dusty immortelles. "Glafira Petrovna herself was pleased to weave it,"
announced Anton. In the bedchamber rose a narrow bed, under a tester of
ancient, striped material, of very excellent quality; a mountain of faded
pillows, and a thin quilted coverlet, lay on the bed, and by the head of
the bed hung an image of the Presentation in the Temple of the All-Holy
Birthgiver of God, the very same image to which the old spinster, as she
lay dying alone and forgotten by every one, had pressed for the last
time, her lips which were already growing cold. The toilet-table, of
inlaid wood with brass trimmings and a crooked mirror with tarnished
gilding, stood by the window. Alongside the bedroom was the room for the
holy pictures, a tiny chamber, with bare walls and a heavy shrine of
images in the corner; on the floor lay a small, threadbare rug, spotted
with wax; Glafira Petrovna had been wont to make her prostrations upon
it. Anton went off with Lavretzky's lackey to open the stable and
carriage-house; in his stead, there presented herself an old woman,
almost of the same age as he, with a kerchief bound round her head, down
to her very brows; her head trembled, and her eyes gazed dully, but
expressed zeal, and a long-established habit of serving with assiduity,
and, at the same time, a certain respectful commiseration. She kissed
Public-domain text, read in full here on John Shaqi.
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