English fiction -- 20th century -- History and criticism; Fiction
As a rule they are well composed. For instance, a royal commission on
water supply would probably comprise two or three members of Parliament
of some standing, the President of the Institute of Civil Engineers, a
professor of sanitation, a canal expert, one or two trade unionists, one
or two manufacturers, and a representative of the Home Office or the
Board of Trade. Any man of position who has shown interest in public
affairs may be asked to sit on a royal commission ... provided he is not
a novelist. Only one novelist has attained so giddy a height: Sir Rider
Haggard; how it happened is not known: it must have been a mistake. We
are not weighty enough, serious enough to be called on, even if our
novels are so weighty and so serious that hardly anybody can read them.
We are a gay tribe of Ariels, too light to discuss even our own trade.
For royal commissions concern themselves with our trade, with copyright
law, with the restrictions of the paper supply. You might think that,
for instance, paper supply concerned us, for we use cruel quantities,
yet no recognised author sat on the commission; a publisher was the
nearest approach. Apparently there were two great consumers of paper,
authors and grocers, but alone the grocers were consulted. What is the
matter with us? Is our crime that we put down in indecent ink what we
think and feel, while other people think and feel the same, but
prudently keep it down? Possibly our crimes are our imagination and our
tendency to carry this imagination into action. Bismarck said that a
State conducted on the lines of the Sermon on the Mount would not last
twenty-four hours; perhaps it is thought that a State in the conduct of
which a novelist had a share would immediately resolve itself into a
problem play. Something like that, though in fact it is unlikely that
Ariel come to judgment would be much more fanciful in his decrees than
the historic Solomon.
Public-domain text, read in full here on John Shaqi.
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