English fiction -- 20th century -- History and criticism; Fiction
Even in our own profession of authorship the novelist is an object of
disdain. We are less than the economists, the historians, the political
writers: we amuse while they teach; they bore, and as they bore it is
assumed that they educate, dullness always having been the sorry
companion of education. Evidence is easily found; there exists a useful,
short encyclopaedia called _Books That Count_. It contains the names of
about 4000 authors, out of whom only sixty-three are novelists. Divines
whose sermons do not fetch a penny at the second-hand bookseller's,
promoters of economic theories long disproved, partisan historians,
mendacious travellers ... they crowd out of the 'books that count' the
pale sixty-three novelists, all that is left of the large assembly that
gave us _Tom Jones_ and _The Way of All Flesh_. This attitude we observe
in most reference books. We observe it, for instance, in the well-known
_Who's Who Year Book_, which, amazing as it seems, contains no list of
authors. The book contains a list of professors, including those of
dental surgery, a list of past Presidents of the Oxford Union, a list of
owners of Derby winners, but not a list of authors. The editors of this
popular reference book know what the public wants; apparently the public
wants to know that Mr Arthur H. King is General Manager of the
Commercial Bank of London Ltd. ... but the public does not want to know
that Mr Anatole France is a great man. The only evidence of notice is a
list of our pseudonyms. It matters that Mr Richard Le Gallienne should
write under the name of 'Logroller,' for that is odd. Mr Le Gallienne,
being an author, is a curiosity; it matters to nobody that he is a man.
II
Public-domain text, read in full here on John Shaqi.
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