English fiction -- 20th century -- History and criticism; Fiction
a list for the aspirant to letters is to throw the London Library at his
head; he lays before us a stodgy lump of two or three hundred volumes,
many of them excellent, and many more absolutely penal. It is enough to
say that he seriously starts his list with the Venerable Bede's
_Ecclesiastical History_. Bede! the dimmest, most distant of English
chroniclers, who depicts the dimmest and most distant period of English
history; once, in an A.B.C., I saw a shopman reading _Tono-Bungay_,
which was propped against the cruet. Does Mr Bennett imagine that man
dropping the tear of emotion and the gravy of excitement upon the
Venerable Bede? And if one goes on with the list and discovers the
_Autobiography of Lord Herbert of Cherbury_, _Religio Medici_,
Berkeley's _Principles of Human Knowledge_, Reynold's _Discourses on
Art_, the works of Pope, _Voyage of the Beagle_ ... one comes to
understand how such readers may have been made by such masters. From the
beginning to the end of that list my mind is obsessed by the word
'stodge,' and the novels do not relieve it much. There are a good many,
but they comprise the usual Thackeray, Scott, Dickens ... need I go on?
Relief is found only in Fielding, Sterne, and in one book each of
Marryat, Lever, Kingsley, and Gissing. These authors are admitted
presumably because they are dead.
In all this, where is hope? How many green daffodil heads, trying to
burst their painful way through the heavy earth of a dull life, has Mr
Bennett trampled on? Is it impossible to find some one who is (as Mr
Bennett certainly is), capable of the highest artistic appreciation and
of high literary achievement, and who will, for a moment, put himself in
the place of the people he is addressing? Is it impossible for an adult
to remember that as a boy he hated the classics? Has he forgotten that
as a young man he could be charmed, but educated only by means of a
machine like the one they use for stuffing geese? The people we want to
introduce to literature are, nearly all of them, people who work; some
earn thirty shillings a week, and ponder a great deal on how to live on
it; some earn hundreds a year and are not much better off; all are
occupied with material cares, their work, their games, their gardens,
their loves; nearly all are short of time, and expend on work, transit,
and meals, ten to twelve hours a day. They read in tubes and omnibuses,
in the midst of awful disturbance and overcrowding; also they are deeply
corrupted by the daily papers, where nothing over a column is ever
printed, where the news are conveyed in paragraphs and headlines, so
that they never have to concentrate, and find it difficult to do so;
they are corrupted too by the vulgarity and sensationalism which are the
bones and blood of the magazines, until they become unable to think
without stimulants.
Public-domain text, read in full here on John Shaqi.
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