In the necessity, which we all feel, of making practical excuses to
ourselves for a foolish action, he pretended that he had been at
Craybrooks long enough, and that now, since he had derived all the
benefit to be got from the west-side air, it was best to begin his
homestretch on the other slope of the hills. His real reason was that he
wished to stop at Lower Merritt and experience whatever fortuities might
happen to him from doing so. He wished, in other words, to see Phyllis
Desmond, or, failing this, to find out whether her piano had reached
her.
It had now a pathos for him which had been wanting earlier in his
romance. It was no longer a gay surprise for a young girl's birthday; it
was the sober means of living to a woman who must work for her living.
But he found it not the less charming for that; he had even a more
romantic interest in it, mingled with the sense of patronage, of
protection, which is so agreeable to a successful man.
He began to long for some new occasion of promoting the arrival of the
piano in Lower Merritt, and he was so far from regretting his former
interventions that at the first junction where his train stopped he
employed the time in exploring the freight-house in the vain hope of
finding it there, and urging the road to greater speed in its delivery
to Miss Desmond. He was now not at all ashamed of the stand he had taken
in the matter at former opportunities, and he was not abashed when a man
in a silk cap demanded, across the twilight of the freight-house, in
accents of the semi-sarcasm appropriate in addressing a person
apparently not minding his own business, "Lost something?"
"Yes, I have," answered Gaites with just effrontery. "I've lost an
upright piano. I started with it from Boston ten days or a fortnight
ago, and I've found it everywhere I've stopped, and sometimes where I
didn't stop. How long, in the course of nature, ought an upright piano
to take in getting to this point from Boston, anyway?"
The man obviously tasted the sarcasm in Gaites's tone, and dropped it
from his own, but he was sulkier if more respectful than before in
answering: "'D ought a come right through in a couple of days. 'D ought
a been here a week ago."
"Why isn't it here now, then?"
"Might 'a' got off on some branch road, by mistake, and waited there
till it was looked up. You see," the man continued, resting an elbow on
the tall casing of a chest of drawers, and dropping to a more
confidential level in his manner, "an upright piano ain't like a
passenger. It don't kick if it's shunted off on the wrong line. As a
gene'l rule, freight don't complain of the route it travels by, and it
ain't in a hurry to arrive."
"Oh!" said Gaites, with a sympathetic sneer.
Public-domain text, read in full here on John Shaqi.
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