A wild clamor rose from the girls, settling at last into staccato cries.
"You've got to _do_ it, Phyl!"
"Yes, Phyllis, you _must_ get in!"
"It's _your_ piano, Phyl. You've got to keep it from tipping out!"
"No, no! I won't! I can't! I'm not going to!" one voice answered to all,
but apparently without a single reference to the event; for in the end
the speaker gave her hand to the man in the wagon, and with many small
laughs and squeaks was pulled up over the hub and tire of a front wheel,
and then stood staying herself against the piano-case, with a final
lamentation of "Oh, it's a shame! I'll never speak to any of you again!
How perfectly mean! _Oh!_" The last exclamation signalized the start of
the horses at a brisk mountain trot, which the driver presently sobered
to a walk. The three remaining girls followed, mocking and cheering, and
after them lounged the three remaining men, at a respectful distance,
marking the social interval between them, which was to be bridged only
in some such moment of supreme excitement as the present.
It was no question with Gaites whether he should bring up the end of the
procession; he could not think of any consideration that would have
stayed him. He scarcely troubled himself to keep at a fit remove from
the rest; and as he followed in the deepening twilight he felt a sweet,
unselfish gladness of heart that the poor girl whom he had seen so wan
and sad in Boston should be the gay soul of this pretty triumph.
The wagon drove into the grounds of the Desmond cottage, and backed up
to the edge of the veranda. Lights appeared, and voices came from
within. One of the men, despatched to the barn for a hatchet, came
flickering back with a lantern also; lamps brought out of the house were
extinguished by the evening breeze (in spite of luminous hands held near
the chimney to shelter them), amidst the joyful applause of all the
girls and the laughter of the men. A sound of hammering rose, and then a
sound of boards rending from the clutch of nails, and then a sound of
pieces thrown loosely into a pile. There was a continual flutter of
women's dresses and emotions, and this did not end even when the piano,
disclosed from its casing and all its wraps, was pushed indoors, and
placed against the parlor wall, where a flash of lamp-light revealed it
to Gaites in final position.
He lingered still, in the shelter of some barberry-bushes at the cottage
gate, and not till the last cry of gratitude had been answered by the
unanimous disclaimer of the men rattling away in the wagon did he feel
that his pursuit of the piano had ended.
VII.
"Can you tell me, madam," asked Gaites of an obviously approachable
tabby next the chimney-corner, "which of the musicians is Miss Desmond?"
Public-domain text, read in full here on John Shaqi.
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